著者

大蔵省印刷局 [編]

出版者

日本マイクロ写真

巻号頁・発行日

vol.1897年09月01日, 1897-09-01

著者

関 寛治

出版者

日本政治学会

雑誌

日本政治學會年報政治學 (ISSN:05494192)

巻号頁・発行日

vol.27, pp.91-120,en6, 1976

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The history of Peace Research in Japan should be analyzed not only in terms of development of pure peace science, but also in terms of the politics of peace in post-war Japanese history. The origins of peace research in Japan go back to the 1948 statement by eight UNE SCO social scientists. The statement immediately inspired Japanese intellectuals to form &ldquo;The Peace Problems Discussion Circle&rdquo; by which was covered the monthly Journal <i>Sekai</i> published by Iwanami Shoten. The strength of the 1948 UNESCO statement, attracted the attention of Japanese intellectuals who participated in the monthly <i>Sekai</i> forum from the beginning of 1949 to the end of 1960. Their objective was to oppose the cold war strategy of the super-powers. Among all statements, &ldquo;On Peace for the Third Time, &rdquo; which was originally drafted by Masao Maruyama, was especially notable for the scope and depth of its analysis of world politics and for its high analytic quality as an example of clinical-type peace research. Because of the long-term value of its penetrating insights into the nuclear age, this essay has acquired great meaning for the present stage of research development in the mid-1970's.<br>According to the author, &ldquo;On Peace for the Third Time&rdquo; was singled out not only for its illuminating qualities, and the strength of its clinical evaluation of post-war international society, but for its sensitivity to the original spirit of peace as well. On the other hand, the development of basic peace research in Japan fell completely behind in comparison with its American and European counterparts in the process of institutionalizing peace reseach. In this article, the reasons for the lack of progress in the institutional development of peace research in Japan, is tentatively analyzed in terms of the social and organizational weakness of the politics of peace, and in terms of the non-innovative, conservative character of the academic community in Japan.

著者

川名 敬

出版者

東京大学

雑誌

基盤研究(C)

巻号頁・発行日

2011-04-28

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子宮頸癌前癌病変(CIN3)の初の治療薬として、HPV16型E7発現乳酸菌,GLBL101c, の有効性を臨床試験によって証明したが、その有効性を増強させることを目的とした。GLBL101cに粘膜アジュバントLTBを添加した状態で十全大補湯、補中益気湯を併用したところ、腸管粘膜リンパ球にGLBL101c単独よりも4-5倍高いE7-CMIが誘導された。1.2x10~8乳酸菌あたり E7分子量として0.1-0.3μgが菌体表面に表出する最高量であり、かつ0.3μgのE7分子量の量比が最もE7特異的IFNγ産生細胞の誘導能が高かった。新型E7発現乳酸菌を開発するための基礎情報となる。

著者

古相 正美

出版者

中村学園大学発達支援センター

雑誌

中村学園大学発達支援センター研究紀要 (ISSN:18849857)

巻号頁・発行日

no.2, pp.37-44, 2011-03

著者

内藤 哲雄

出版者

長野大学

雑誌

長野大学紀要 (ISSN:02875438)

巻号頁・発行日

vol.8, no.2, pp.p53-60, 1986-11

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言語障害者は、障害自体だけでなく、障害に対する他者の反応を意識することにより、障害が重くなったり、パーソナリティや対人行動に問題を生じやすい。こうした影響は、自我意識が昂揚し、自己や社会への関心がめはえる青年期においてはとくに問題となる。このような特徴をもつ言語障害者に対しては集団心理療法が有効であるが、中学・高校の教育現場の実情から、症状や発生機序別に同質集団を構成することは困難である。また異質な集団であっても、軽度な言語障害の場合かなりの効果が予測できる。このような背景から、本研究では、中学生や高校生で異質な症状や発生機序をもつ、比較的軽度な言語障害者集団を対象として、集団心理療法の効果を検討することが目的とされた。治療は2泊3日の合宿方式とし、対話法、レクリェーション活動、役割活動などの複数の療法を採用した。それらの効果は、レクリェーションでのエピソード、ミーティングでの発言、係活動に関する自己評定、対人行動の自己評定などによって分析された。治療効果は心因性の障害において著明であったが、軽度な障害者を対象としたことによろうが、多彩な言語障害のいずれにも有効であることが確認された。

著者

井上 裕康

出版者

公益社団法人 日本ビタミン学会

雑誌

ビタミン (ISSN:0006386X)

巻号頁・発行日

vol.78, no.12, pp.621-623, 2004-12-25 (Released:2017-10-10)

参考文献数

13

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レスベラトロールは赤ワインに含まれる抗酸化作用を持つフィトアレキシン(抗菌性物質)である. レスベラトロールは中等度のワイン消費が心血管病, 脳卒中, 痴呆の危険度と負の相関を示す, いわゆる「フレンチパラドックス」に関与する物質と考えられてきた. 我々は最近, レスベラトロールが核内受容体PPAR(peroxisome proliferators activated receptor)αとPPARγを選択的に活性化すること, さらにPPARα活性化が脳保護効果をもたらすことを見いだした. これらの知見は「フレンチパラドックス」を説明する新しい作用機構を提供すると考えている. 一方で, レスベラトロールは寿命延長効果を持つカロリー制限模倣物質であること, オレイルエタノールアミドがPPARαの新しい内因性リガンドであり, その活性化によって食欲をコントロールすることが報告されている. そこでこれらの知見を含めて, 今後の展望とともに紹介したい.

著者

羽田 真

出版者

早稲田大学本庄高等学院

雑誌

教育と研究

巻号頁・発行日

vol.35, pp.39-56, 2017-03-15

著者

柴村 抄織

出版者

鎌倉女子大学

雑誌

鎌倉女子大学紀要 = The journal of Kamakura Women's University (ISSN:09199780)

巻号頁・発行日

vol.25, pp.114-101, 2018-01

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源氏物語五十四帖中、柏木は、若葉上巻、若葉下巻、柏木巻を中心に登場する。女三の宮への想いに苦悩する柏木の人生について、柏木のモデルとなった歴史上の人物である藤原道信に関連する和歌表現によって、紫式部は柏木の人間像を描写している。

著者

樋口 直人 稲葉 奈々子

出版者

日本社会学会 ; 1950-

雑誌

社会学評論 = Japanese sociological review (ISSN:00215414)

巻号頁・発行日

vol.68, no.4, pp.567-583, 2018

著者

小西 嘉典 服部 宏祐 橋本 学

出版者

画像センシング技術研究会

雑誌

第24回画像センシングシンポジウム

巻号頁・発行日

2018-04-09

著者

久保田 義弘

出版者

札幌学院大学総合研究所

雑誌

札幌学院大学経済論集 (ISSN:18848974)

巻号頁・発行日

no.8, pp.1-25, 2014-10

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本稿では,イングランドとスコットランドの同君連合後のイングランドにおいてのジェイムズ1世の内政および外交政策の遂行で議会との対立・闘争を通じて如何に自身の政策を実行したのかをみる。特に,王家の財政収入の調達と,スペイン戦争の遂行のための資金調達で彼と議会との対立を概観する。また,彼の宗教政策では,エリザベス1世の宗教政策を継承したことを説明する。さらに,彼の枯渇する国庫を救済するための勅許会社の拡張と植民政策の推進を概観する。後者の植民政策の成功例としてのジェイムズ・タウンを取り上げる。本稿の構成は,第1節でジェイムズ1世とイングランド議会:王の国庫窮状の打開をめぐる闘い,第2節で,ジェイムズ1世の外交政策,第3節で,ジェイムズ1世の宗教政策,第4節で,ジェイムズ1世の植民政策,ジェイムズ1世の即位以前の勅許会社,ジェイムズ1世の勅許会社と植民政策について説明する。特に,ヴァージニア会社の設立,植民地ジェイムズ・タウンとその窮乏化,そしてジェイムズ・タウンの放棄とその救済,そして,植民地の払い下げとその成長について説明する。論文Article

著者

立川 敬子 平 健人 岡田 常司 宗像 源博 眞坂 こづえ 塩田 真 春日井 昇平

出版者

口腔病学会

雑誌

口腔病学会雑誌 (ISSN:03009149)

巻号頁・発行日

vol.70, no.3, pp.182-189, 2003-09-30 (Released:2010-10-08)

参考文献数

18

被引用文献数

1 3

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The clinical analysis of 462 patients (154 men and 308 women) with problems of implant therapy done at other clinics is reported. They visited the clinic for oral implant of the Tokyo Medical and Dental University Hospital during the period from January 1996 to March 2002. The results were as follows1) The majority of the patients (76.6%) were 40 to 69 years of age.2) Of the total patients, 26.8% had been referred from the other outpatient clinics in our hospital, 14.7% from private dental offices and 2.6% from attending doctors.3) There were 361 patients with complications related to the implant therapy. Seventy-six patients asked for second opinions concerned about a diagnosis or treatment recommendation. Thirty patients required maintenance of the implants.4) The most common complications observed were peni-implantitis (184 cases) . Prosthodontic compli-cations (72 cases) included framework/resin/veneering material fractures, screw loosening and fractures. There were implant fractures in 21 cases, sensory disturbance in 20 cases, problems related to sinus in 13 cases, problems of connected teeth in 30 cases and phonetic/esthetic complications in 10 cases.5) The types of problem implants were osseointegrated implants (196 cases), alumina-ceramic implants (74 cases), metallic blade type implants (35 cases), pin type implants (10 cases), subperiosteal implants (6 cases) and other implants.

著者

John H. Wiersema Blanca León

出版者

CRC Press

巻号頁・発行日

2013

著者

脇本 由佳

出版者

日本西洋古典学会

雑誌

西洋古典學研究 (ISSN:04479114)

巻号頁・発行日

vol.45, pp.28-39, 1997-03-10

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『イーリアス』においてアイネイアースは,トロイア方でヘクトールに次ぐ重要な英雄として扱われている.しかし,『イーリアス』の中でのアイネイアースの活躍は,意外なまでに少ない.本稿では,この矛盾を解決しうる一つの仮説を提示するべく,『イーリアス』におけるアイネイアースの描かれようを観察し,そこから,ホメーロス以前のトロイア伝承で,主にアイネイアースがどのような位置づけをなされていたかを探る試みを行う.

著者

大町 北一郎

出版者

The Society of Resource Geology

雑誌

鉱山地質 (ISSN:00265209)

巻号頁・発行日

vol.8, no.27, pp.18-32, 1958-02-28 (Released:2009-12-14)

参考文献数

70

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The Inaushi mine, about 10 km west of Engaru town, Kitami Province, is located in one of the epithermal deposits of Northeast Hokkaido. The sedimentary rocks in the vicinity of the mine consist mainly of black shale, sandstone and conglomerate of Mesozoic age, they are overlain unconformably by Neogene Tertiary (Miocene) sediments. The Mesozoic beds are cut by many dykes. The rocks of the dykes are predominantly quartz-porphyrite, andesite and liparite which range widely in composition.The No.3 ore deposit of the Inaushi mine is worked as a source of copper ore and occurs along a fault zone in quartz-porphyry, sandstone, black shale and conglomerate of Mesozoic (Pre-Cretaceous?) age. The deposit consists of several parallel veins, which occur at various distances from the main vein (N 50-Vein). The No.3 ore deposit seems to be associated with parallel dykes of quartz-porphyrite. The veins are characteristically of the composite "chlorite-quartz-copper-vein" type and strike N 70-80°E, and dip 80-90° south. The veins may attain widths of 0.4-0.8 meters. These deposits have been believed to be of epithermal origin. The structure of the veins is classified as follows: brecciated, banded and networked. The brecciated veins usually contain angular fragments of country rocks cemented by a matrix consisting of variable amounts of sulphide and gangue minerals. In some veins, ring ore is observed.The predominant sulphides of the ore deposit are pyrite, chalcopyrite, sphalerite and galena. Other minor minerals are hematite, bornite, chalcocite, marcasite and pyrrhotite. The gangue minerals are chlorite, quartz, calcite and adularia. From the mineralogical association of the ore, the mineralization in the deposit is divided into four stages:1) Quartz-chlorite-pyrite-stage2) Quartz-chlorite-chalcopyrite-pyrite-stage3) Chlorite-sphalerite-galena-pyrite-hematite-stage, and 4) Quartz-pyrite-stage.The ore mainly shows a brecciated and banded appearance. Most of it contains chalcopyrite and pyrite often accompanied by sphalerite and galena, with gangue minerals such as chlorite, quartz and calcite. The brecciated ore usually contains fragments of wall rocks and the banded ore consists mainly of chalcopyrite and pyrite.Paragenesis and texture of ore minerals were studied in detail. Chalcopyrite has occasionally been enclosed in the sphalerite. Also, chalcopyrite within sphalerite occurs as emulsion blebs, commonly in seriate arrangement, and shows definite preferred orientation relative with any one host grain, indicating control by the crystal structure of the sphalerite. Therefore, from the mineralogy of the vein, the No. 3 ore deposit may be classified as fissure-filling veins which belong to the "xenothermal deposits" type (shallow high-temperature condition) rather than the epithermal type deposit.The minor elements in chalcopyrite from sulphide ore of several levels in the N50-vein and also from other chlorite-quartz-copper-vein deposits were determined by spectrographic methods. The results show the presence of Bi and Sn in chalcopyrite from the Inaushi mine, Komaki mine, and Miyatamata mine. The chlorite of the gangue was determined to be aphrosiderite by means of both chemical analysis and X-ray studies.In conclusion, it seems highly probable that the No. 3 ore deposit of the Inaushi mine was formed under high temperature conditions of subvolcanic origin similar to those prevailing in the Inner Zone of Northeast Japan.

著者

山崎 法子 YAMAZAKI Noriko 西形 茉和 NISHIKATA Mao

出版者

群馬大学 教育学部附属学校教育臨床総合センター

雑誌

群馬大学教育実践研究 (ISSN:09123911)

巻号頁・発行日

vol.35, pp.63-70, 2018-01-31

著者

伊豆見 元 平岩 俊司

出版者

財団法人 日本国際政治学会

雑誌

国際政治 (ISSN:04542215)

巻号頁・発行日

vol.1994, no.106, pp.149-161,L15, 1994-05-21 (Released:2010-09-01)

参考文献数

29

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The purpose of this paper is to elucidate the relationship between the withdrawal of Chinese People's Volunteer Army (CPVA) which was completed in 1958 and the establishment of Kim Il Sung's power base. When compared with the U. S. forces still stationed in South Korea, the CPVA withdrawal progressed smoothly upon Chinese-North Korean agreement. The CPVA withdrawal was implemented in two stage, in 1954-1955 and 1958, and suspended in 1956-1957. Why suspended in 1956-1957? According to the Chinese explanation, it was suspended upon Chinese-North Korean agreement with the shakeup within the socialist camp after the 20th Soviet Communist Party Congress in the background. However, 1956 and 1957 was a period in which Kim Il Sung established his own power base by purgeing the Chinese and Soviet factions within North Korea. In 1956, China suspended the withdrawal of CPVA to pressure Kim Il Sung who trying to eliminate the Chinese faction within North Korea. However, Kim Il Sung has almost completed purging the main members of the Chinese faction by the end of 1957. In 1958, China who judged that the revival of the Chinese faction was difficult, completely withdrew the CPVA to maintain good relations with North Korea. Afterwards, Kim Il Sung continued his all-out purge of the Chinese faction and established his power base. Therefore, the establishment of Kim Il Sung's power base and the timing of the CPVA withdrawal was closely connected. Afterwards, North Korea and China maintained good relations, but it was a delicate relationship between Kim Il Sung and China in the beginning.

著者

大向 一輝

雑誌

情報処理

巻号頁・発行日

vol.53, no.12, pp.1282-1286, 2012-11-15

著者

本間 周子

出版者

慶應義塾大学

雑誌

体育研究所紀要 (ISSN:02866951)

巻号頁・発行日

vol.16, no.1, pp.29-39, 1976-12

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The Middle Ages were the ages of Christianity and the way of thinking based on religion prevailed throughout Western Europe. However, a careful observation of data such as literary works and miniatures of manuscripts shows us that there were various secular and popular pleasures even in the society controlled by religion. The church interests condemned amusements and hobbies of the common people through sermons and others according to religious commandments. It may be said, however, this very fact affords a clear proof that the commons at that time took a cheerful view of life from the bottom of their heart. I have investigated of "Carol", one of the dance-songs, dealt with some examples from the noble to the common and explained the popularity among all social classes, especially in England in the late Middle Ages. The word "Carol" was used from about the 12th century in France, but it seems to have originated in the ancient pagan faith in fertility. Carol, which the people of the Middle Ages always danced and in which they took much interest, assumes, viewed at the angle of its form, several characteristics listed below; 1. Male and female dancers join hands forming a ring, and dance to songs and musical instruments. 2. Dancers make three steps in the left direction and mark time then and there. 3. Dancers, while dancing with hands joined with each other, sometimes make gestures. 4. Dancers consist of a leader and a chorus. 5. The leader is also one of the dancers, and the dance is led by him. 6. The song is in four-stressed four-line stanzas with rhyme. 7. The leader sings a lyric poem in stanzas, and when he has finished to sing the song, all the other members respond to it by singing and dancing refrains. 8. At the start of refrain, it is usual to make a sign with words or instruments. Many men and women used to dance a Carol in the churchyard or greens, in spring or summer, especially at the Christmas season. According to The Medieval Lyric (1968) written by P. Dronke, the English people after the 14th century were in particular excited over Carol and they were technically excellent dancers. The word Carol meant at first the dancing song. However, at the beginning of the 15th century, it separated into two meanings - song and dance, Carol remaining as a word meaning a song. Since then, it has been in existence as a holy song for celebrating Christmas - Christmas Carol, as we know very well. As mentioned above, we find that the people of every class, in the ages under Christian control and in various districts of West Europe, were feeling themselves drawn toward the other world -the world of real existence, while they continued singing their joy of the worldly life. Carol is a proof that the dancing song continued to live as poems in praise of a vivid life of the commons even under the religious control of the Middle Ages.

著者

本間 周子

出版者

慶應義塾大学

雑誌

体育研究所紀要 (ISSN:02866951)

巻号頁・発行日

vol.15, no.1, pp.51-62, 1975-12

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What represents the folk dances in England is the Morris Dance in spring and the Sword Dance in winter. Thanks to the energic work made by Cecil Sharp, both dances were recorded and the records have been still preserved. Alike the Morris Dance, the Sword Dance has a very old tradition; as to the origin of this dance, it is said that it originated with the half-magic religious ceremonies inherent in ancient society. When we analogize this point, the description in Golden Bough written by J. G. Frazer may be much helpful. The Sword Dance has been pervaded since a long, long time ago over a fairly wide areas in farming villages of Northern Europe; this dance also has a religious functional meaning, which implies that it has some relations with Christianity. German archaeologists have long before been interested in this dance. Tacitus of Ancient Rome (55-120?) had described at the beginning of the 24th Chapter of his noted book Germania that the brave Sword Dance had been played as enjoyment at gatherings of Ancient Germanic racial society. Also at the 1040th line of the Old English epic Beowulf (written at the beginning of the 8th century) , the word "Sweorda-gelac" as used as a metaphor for a battle. Even through these fragmentary materials, it may roughly be assumed that the Sword Dance was a folk dance which had a close relationship with one of the ancient Germanic races which lived mainly in Northern Europe. The minstrels of the Middle Ages seem to have included this dance in their repertory. It is known that this dance was played as the most attractive ludus (play) at Nuremberg, Germany, in 1350. In Northern England, especially Yorkshire, Northumberland and Durham, people had traditional plays in which the Sword Dance was played. Before long, the dance was separated from the play; two grotesque figures participated in the dance and songs were also sung as it was played. The dance is divided into two kinds according to the length of the sword used. One is the long sword dance (at Yorkshire), namely, a steel sword of thick blade and longer than one meter is used while it is played; the other is the short sword dance (rapper) (at Northumberland and Durham) which uses a flexible steel sword the blade of which is thin, the length is about 50 centimeters, with a handle at its respective ends. Judging from such swords, it is known that this dance has relations with coal mines, being worthwhile to be paid attention. Walter Scott, the novelist of the 19th century, while travelling Shetland Islands, witnessed this dance, and used it in his novel, The Pirate. He thought that the dance had its origin in Scandinavia, The areas where the Sword Dance is generally played are almost in accord with the areas into which the Viking made their invasions. This is one of the grounds for his assertion. However, it seems that the dance itself had been played before their invasion. The manner by which it was played had no association with a battle, but probably meant a Mock or a symbolic sacrifice. It is considered that the Sword Dance primarily had an agricultural characteristic and was played very popularly at winter festivals in farming villages.