著者

郷間 秀夫

出版者

南方熊楠研究会

雑誌

熊楠研究 = Kumagusu studies

巻号頁・発行日

no.11, pp.274-255, 2017-03

著者

大門 正幸

出版者

人体科学会

雑誌

人体科学 (ISSN:09182489)

巻号頁・発行日

vol.20, no.1, pp.33-42, 2011-06-04

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In his extensive research of over 40 years concerning children who claim to have "past-life memories," the late Ian Stevenson of the University of Virginia collected more than 2,500 cases from all over the world including India, Thai, Burma, Lebanon, Turkey, Sri Lanka, the UK, France, Germany, the Netherlands, Italy, Austria, Portugal, Hungary, Island, Finland, Canada, and the US. Inspired by his work, a number of researchers have been working on similar cases worldwide. However, no case has been reported from Japan so far, which is regrettable in view of the fact that the case of Katsugoro, a boy from the early 19th century Japan was one of the strong cases that inspired Ian Stevenson to work on the phenomena. In this paper I will report a case of a Japanese child with "past-life memories" as a boy who lived in Edinburgh, Scotland. His remarks are basically compatible with a possible life in Edinburgh, and some of them are quite striking. Since the "past-life personalities" has not been successfully identified, the present case is regarded as unsolved. However, the present paper shows the existence of a clear Case of Reincarnation Type (CORT) in Japan and suggests the necessity of looking at a certain type of children from a different angle than traditional ones with the diagnosis as autism spectrum disorders.

著者

岩下 陽平 菊池 哲平

出版者

熊本大学

雑誌

熊本大学教育学部紀要. 人文科学 (ISSN:0454613X)

巻号頁・発行日

vol.59, pp.69-76, 2010-12-03

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本研究では、特別支援学級の担任教師や発達障害児の母親にインタビューを行い、「疑問」の視点を踏まえながら告知やカミングアウトがどのような必要性や内容で行われているのかなどの実態を調査し、その傾向や、さらには現状における課題を明らかにしていくことを目的とする。The purpose of the present study was to investigate how to inform a student with developmental disabilities and his/her classmates about his/her diagnosis, disabilities and characteristics of disabilities. 5 classroom teachers of student with special needs and 10 mothers, who have children with developmental disabilities, were interviewed. In the interview, all mothers answered that they told their own children some explanation about his/her characteristics of disabilities. And the purposes was to tell their children about their disabilities and help them accept special supports for him/her, and also to response children's questions and help him/her realize about his/her characteristics of disabilities. Only one case, the student with developmental disabilities was informed his diagnosis. From these interview, it is considered to be difficult to inform self about his/her diagnosis. About informing classmates who have a friend's disabilities, and other cases that classmates were not informed at all. In the all cases that classmates were informed, the teachers didn't inform about the student's diagnosis to his/her classmates. They informed about only characteristics of the student with developmental disabilities. And the purpose of informing to classmates was to solve or prevent troubles between the student and classmates.

著者

矢羽野 隆男 ヤハノ タカオ

出版者

大阪大学中国学会

雑誌

中国研究集刊 (ISSN:09162232)

巻号頁・発行日

no.50, pp.305-319, 2010-01

著者

小柳 英樹 白石 裕比湖 桃井 真里子

出版者

日本小児保健協会

雑誌

小児保健研究 (ISSN:00374113)

巻号頁・発行日

vol.56, no.4, pp.525-532, 1997-07-31

参考文献数

12

著者

松村 和歌子

出版者

国立歴史民俗博物館

雑誌

国立歴史民俗博物館研究報告 (ISSN:02867400)

巻号頁・発行日

vol.142, pp.157-191[含 英語文要旨], 2008-03

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春日社の宗教的分野での研究は、祭礼に集中しがちだが、祈祷や祓といった日常的な宗教活動こそ、宗教者と社会との関わりを考える上でむしろ重要だと考えられる。近年、春日社の下級祀官である神人が中世後期から灯籠奉納や祈祷などを通じ、日常から御師として崇敬者と深い関係を築いたことが明らかにされているが、こういった師壇関係の形成は、上級祀官である社司を嚆矢とし、その開始は、少なくとも平安時代末に遡る。本論考は、社司を中心に中世の春日社祀官の私的な祈祷への関わりなど、日常的な宗教者としての営みを出来るだけ具体的に論述しようとしたものである。❶章社司における御師活動の萌芽、❷章社司の御師活動の展開では、平安末から貴族の参拝・奉幣の際、社司が中執持ちとして祝詞奏上を行うようになり、日常から師檀関係を結ぶこと、同時期に宗教者として個性的な役割を果たす社司が現れ、その活躍は霊験譚にも描かれることを示した。また霊験譚自体が社司によって創り出され、記録や社記の注進等を通じて広められた場合があったことを述べた。鎌倉時代以降には、貴族の御師として重要度が更に増し、社司の任官を左右する場合もあったこと、貴族の邸内社の祭祀等その活動は、社外にも及んだことを示した。またこの動向は、他の有力神社にも共通する傾向であることにも触れた。❸章御師活動と奉幣の近世への展開では、社司の御師としての活動が近世に継続される一方、神人の御師としての活躍が中世初期に遡るであろうことを示した。さらに奉幣が、御幣またおはけ戴きとして、近世にもつながる信仰のあり方であった可能性を述べた。❹章宮廻と度数詣、❺章南円堂勤仕から南円堂講へでは、中世末に春日社で度数祓が祈祷として定着する以前、春日社諸社を廻る宮廻と本社・若宮を往還する度数詣がポピュラーかつ重要な信仰のあり方で、代勤という形で祈祷ともなり、近世にも継続したことを示した。また、春日社祀官により行なわれた南円堂勤仕は、南円堂・春日社を往還する度数詣、興福寺境内を含む宮廻、奉幣祝詞などを内容とするもので、春日講に先行する春日祀官の講的結縁として重要であること、また願主を得て行なわれ、祈祷ともなったことなどを紹介した。Religious studies research on Kasuga Shrine has tended to focus on ceremonies and rites. However, everyday religious activities such as prayer and purification rituals are important when considering relations between priests and society.It has recently come to light that from the latter part of the Middle Ages, lower ranking priests of Kasuga Shrine called "jinin" established strong relationships through the offering of lanterns and prayers with worshippers who served as "oshi". The formation of this relationship between priests and lay people began with higherranking priests called shashi and dates back at least to the end of the Heian period. This paper describes in as much detail as possible the activities of everyday worshippers through their relationship with the personal prayers of Kasuga Shrine priests, primarily shashi, in the Middle Ages.The first two chapters discuss the emergence and development of oshi activities in connection with shashi. From the end of the Heian period, a shashi would recite prayers as an intermediary when members of the nobility worshipped or made offerings. This established a relationship between priests and lay people and at the same time there emerged shashi who began to fulfill distinctive roles as priests. Their activities are also described in "Reikentan" (miraculous tales). "Reikentan" were also produced by shashi and in some cases they became widely known through reports in written records and shrine chronicles.From the time of the Kamakura period onward, the importance of nobles as oshi increased and there were even cases where they had an influence on the appointment of shashi. Their activities extended beyond the shrine, as they sometimes officiated in small shrines situated in the compounds of noble persons. A similar trend also existed in other major shrines.The third chapter examines the development of activities and offerings by oshi in the Early Modern period. While the involvement of shashi in oshi activities continued during the Early Modern period, the involvement of jinin in oshi activities most probably went back as far as the early part of the Middle Ages. The chapter also discusses the possibility that offerings made in the form of "gohei" or "ohake" were part of a religious practice that can be linked to the Early Modern period as well.The fourth chapter looks at visits to other shrines and frequent visits to Kasuga shrine and the fifth chapter discusses officiating in Nanendo through to giving recitations in Nanendo. Before frequent purification rituals became established as prayers at Kasuga Shrine at the end of the Middle Ages, it was popular to make frequent visits to shrines belonging to Kasuga Shrine and to make return trips between the main shrine and minor shrines. Moreover, this became an important religious practice and also became a form of prayer which continued into the Early Modern period.When Kasuga Shrine priests officiated at Nanendo, they made frequent return journeys between Nanendo and Kasuga Shrine. They also visited the grounds of Kofuku-ji Temple and recited prayers. This was an important part of the acceptance of Buddhism by Kasuga Shrine priests, which preceded that of pilgrams to Kasuga Shrine, and also led to an increase in people offering prayers.

著者

蓮沼 啓介

出版者

神戸法学会

雑誌

神戸法学雑誌 = Kobe law journal (ISSN:04522400)

巻号頁・発行日

vol.69, no.2, pp.1-49, 2019-09

著者

中尾 七重

出版者

建築史学会

雑誌

建築史学 = Journal of the Society of Architectural Historians of Japan (ISSN:02892839)

巻号頁・発行日

no.72, pp.2-33, 2019-03

著者

柿本 真代 カキモト マヨ Kakimoto Mayo

出版者

同志社大学人文科学研究所

雑誌

キリスト教社会問題研究 = The Study of Christianity and Social Problems (ISSN:04503139)

巻号頁・発行日

no.68, pp.61-89, 2019-12-20

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論説(Article)本稿は児童文学研究の観点から、イギリスの児童文学Peep of Dayシリーズの受容と、日本における翻訳とその影響について考察した。Peep of Dayとその続編Line upon Line、Precept upon Preceptは教派や地域を問わず、明治初期の宣教師による教育活動に頻繁に用いられていたことが明らかになった。また、長老派のカロザースやアメリカン・ボードのジュリア・ギューリックがそれぞれ翻訳を手掛けたが、訳文はともに漢字を読めない人々にも読めるような工夫がなされおり、伝道を目的としながら同時に子どもや女性に書物を届けようとする試みでもあった。

著者

斉藤 みか

雑誌

国際基督教大学学報 3-A,アジア文化研究 = International Christian University Publications 3-A,Asian Cultural Studies

巻号頁・発行日

no.45, pp.63-81, 2019-03-30

著者

黒須 泰行 軍司 篤美

出版者

国際学院埼玉短期大学

雑誌

研究紀要 (ISSN:02896850)

巻号頁・発行日

vol.28, pp.91-95, 2007-03

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砂糖の約200倍の甘みを呈すると言われているアスパルテームは,低カロリーの粉末甘味料や菓子,清涼飲料水に含まれている。このアスパルテームは人工的に作り出された甘味料であり,この分解物が体に悪影響を与えるといわれ,その安全性は二転三転して,現在も論争は続いている。そこで本研究は,アスパルテームが多量に使用されているダイエット用の清涼飲料水に注目し,アスパルテーム含有量及びアスパルテームの分解性について検討した。その結果,清涼飲料水中のアスパルテーム含量は4〜79mg/100mlであり,ADI2000mgに対して少量であることがわかった。また長期保存や調理過程における条件下で,アスパルテームの分解を確認した。

著者

土山 玄

雑誌

じんもんこん2018論文集

巻号頁・発行日

no.2018, pp.269-276, 2018-11-24

著者

石井 公成

出版者

駒澤短期大学仏教科

雑誌

駒沢短期大学仏教論集 (ISSN:1342789X)

巻号頁・発行日

no.8, pp.45-70, 2002-10

著者

難波 知子

出版者

お茶の水女子大学大学院人間文化研究科

雑誌

人間文化論叢 (ISSN:13448013)

巻号頁・発行日

vol.9, pp.41-50, 2006

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This article aims at reconsidering the history of women's school uniforms from the viewpoints of the educational system, students, and uniform production in modern Japan. Though the historical studies of school uniforms have focused on the control of students' bodies and clothing by schools, this article moreover notices the significance that women students realized in their uniforms, and the situation that their uniforms were made in the transition from Kimono style to Western style. The composition of this article is as follows. First, it gives an outline of the history of women's school uniforms from the Meiji era to the early Showa era. Second, it elaborates the process of wearing HAKAMA which women students longed to put on in the 30's of the Meiji era. And third, it considers the practical situation that the school uniforms were made, worn by students and controlled by schools. To conclude, in modern Japan women's school uniforms were formed as a culture by interrelationship among schools, students, and uniform production. Schools instituted uniforms for the realization of educational policy and the regu\lation of clothing. On the other hand, women students created their original meanings and dressing in their school uniforms. And the school uniforms as a culture prevailed involving the changes of styles of living in clothing, for example, from Kimono style to Western style and from sewing at home to buying products in stores.

著者

森 勇太

出版者

日本語学会

雑誌

日本語の研究 (ISSN:13495119)

巻号頁・発行日

vol.9, no.3, pp.1-16, 2013-07-01

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現代語では,動詞の連用形に相当する形式で命令を行う"連用形命令"が西日本を中心に見られる。この連用形命令は宝暦頃から見られはじめるものであるが,本稿では,この連用形命令の成立過程を考察した。近世前期には,すでに敬語助動詞「やる」の命令形「やれ」が「や」と形態変化を起こし,待遇価値も低くなっている。また,終助詞「や」も近世上方に存在していた。このことから連用形命令は近世上方において,敬語助動詞命令形「や」が終助詞と再分析され,「や」の前部要素が命令形相当の形式として独立し,成立したと考える。この連用形命令が成立したのは,待遇価値の下がった命令形命令を避けながらも,聞き手に対して強い拘束力のもと行為指示を行うという発話意図があったためである。また,各地で敬語由来の命令形相当の形式(第三の命令形)が成立しており,連用形命令の成立も"敬語から第三の命令形へ"という一般性のある変化として位置づけられる。

著者

敷島 千鶴 平石 界 山形 伸二 安藤 寿康

出版者

日本社会心理学会

雑誌

社会心理学研究 (ISSN:09161503)

巻号頁・発行日

vol.26, no.3, pp.188-201, 2011

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Factors contributing to individual differences of empathy were examined using behavioral genetics methodology. Data related to individual levels of empathy and parental warmth received during childhood were collected from approximately 450 pairs of twins (ages 14-33). A bivariate model analysis clarified that shared family environmental factors did not contribute to the formation of empathy. No common shared environmental factors were detected between empathy and parental warmth, either. The positive correlation between the two variables was mediated principally by genetics. The result does not support socialization theory, which holds that warm parenting nurtures children's empathy. However, the subsequent gene-environment interaction model analysis revealed that shared family environmental factors significantly affected the formation of empathy for those with high or very low parental warmth. The results imply that individuals with a strong or very weak attachment to their parents were more influenced by the shared family environment.

著者

西山 志保

出版者

立教大学

雑誌

グローバル都市研究 (ISSN:18838006)

巻号頁・発行日

vol.4, pp.81-97, 2011-03-31

著者

小畑 哲雄 Obata Tetsuo

出版者

法政大学大原社会問題研究所

雑誌

大原社会問題研究所雑誌 (ISSN:09129421)

巻号頁・発行日

no.653, pp.1-14, 2013-03

著者

高島 千代

出版者

関西学院大学

雑誌

法と政治 (ISSN:02880709)

巻号頁・発行日

vol.52, no.4, pp.1045-1086, 2001-12

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Chichibu-jiken is the uprising of the farmers in debt, which happened at Chichibu District (Saitama Prefecture), the year of 1884. Almost three thousand of these farmers demanded putting off their debt of lenders, reducing taxes and three years' school closing against both local and central government. They formed an army-like organization, destroyed the houses of lenders who had taken high interests from the farmers, and then fought with the army of Meiji government. The studies for Chichibu-jiken, so far, have centered on the points related to the side of participants of the uprising. Therefore, at the present, studies for another side of Chichibu-jiken are required. In this paper, to cover the lacking, I intend to examine the acts to protect communities from the 'revolt' in Chichibu, and explain the meaning and the logic of the acts.

著者

岡塚 章子

雑誌

美術研究 = The bijutsu kenkiu : the journal of art studies

巻号頁・発行日

no.412, pp.71-82, 2014-03-25

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On October 18, 1910, Kuroda Seiki (1866–1924) and Ogawa Kazumasa (1860–1929) were named teishitsu gigeiin, art experts in service to the Japanese imperial court.While from different fields, Western style painting and photography, a letter dated April 26, 1910 among Ogawa's letters addressed to Kuroda indicates that they were aware of each other prior to being named to their imperial household posts. The letters are about requests or thanks for gifts, and appear monthly, thus indicating that the two men were in regular contact, and this continued even after Ogawa closed his own photography studio and photoengraving company. Ogawa was six years older than Kuroda. Even though he was younger, Kuroda had spent almost a decade, from ages 18 to 27, studying in France, and taught at Tokyo Bijutsu Gakkô after his return to Japan. He was the rising star of the Western painting world in Japan, building a reputation for himself despite his youth. For Ogawa, it was an honor to become close to Kuroda, and Ogawa's respect for Kuroda can be seen in his letters. The points in common between the two men include their overseas study experience, their dauntless pursuit of new expressive methods never before seen in Japan, and their success in that endeavor. Ogawa's overseas study was not as lengthy as Kuroda's, but he set out for America in order to learn photographic techniques. After his return he used his acquired knowledge, taking photographs, and energetically developing his photographic printing and publishing work, breathing new life into the photography industry in Japan. After his return from France, Kuroda led the Japanese Western painting world into new forms of painterly expression, and thus undoubtedly felt a sense of shared closeness with Ogawa through their innovative endeavors. It is unclear when the two men met, but their critiques of photographs in the Hana-no-kage journal published by the Kakô-kai photography group started by members of the Japanese nobility provide historical materials showing their connection prior to the dates on extant letters. Their photography critiques were first published in Hana-nokage in March 1907, and thus it can be presumed that they had actually met by that time. Hana-no-kage itself was first published in 1903, and if like other photography groups of the period, the Kakô-kai held meetings, it is possible that Kuroda or Ogawa may have been invited to such meetings, and thus they may have met at an even earlier date. Ogawa Kazumasa was born in Gyoda, Musashi province (present-day Gyoda city, Saitama prefecture), and after learning the wet collodion process he left Japan for America in July 1882. In Boston he learned the collotype process and dry plate production, returning to Japan in January 1884. In 1885 he opened the Gyokujun-kan photography studio in Iida-machi 4-1, Kojimachi-ku, Tokyo. In 1888 he acted as a record photographer in the treasures survey of the Kinki region conducted by Kuki Ryûichi of the Imperial Household Agency and others, taking large numbers of photographs of ancient art works. Further utilizing the knowledge and techniques learned in America, he experimented with collotype printing, later opening the Ogawa Shashin Seihanjo (literally, Ogawa's photoengraving company) in Hiyoshi-chô, Tokyo. This led to his fullscale production of collotype printed works. This studio produced the collotype plates for the art journal Kokka, founded in October 1889. Ogawa acted as a consultant for the Bankoku-shashinkokai (international photography association) held in conjunction with the 1893 Chicago World's Fair, setting off for America once again. During this visit Ogawa learned about the halftone process, and after buying printing equipment, tools, and materials in America he returned to Japan. He began halftone-printing work in February 1894. Then during the First Sino-Japanese War (July 1894–March 1895), he produced the photographic plates for the Nisshin senso jikki (August 1894–January 1896) published by the Hakubunkan and the Tokyo Asahi Shimbun's supplement. During the Russo-Japanese War (February 1904–September 1905) he printed and published a large number of photographic albums, including the Nichirô sen'eki shashinchô (total 24 volumes, The Ordnance Survey Office, 1904–1905), Nichirô sen'eki shashinchô (Photographs by Imperial Headquarters Photographic Department, The Ordnance Survey Office, 1906), and the Nichirô sen'eki kaigun shashinchô (Ichioka Tajirô, author, 1905). In April 1905 the Great Colored Photographs Exhibition of the Russo-Japan War was held in the Number 5 building of the former exposition buildings in Ueno Park, and thus he played a major role in war journalism. For his Russo-Japanese War achievements overall, on April 1, 1906, Ogawa was awarded the Order of the Rising Sun, Gold and Silver Rays. Thanks to this recognition, he received a variety of honors, and in 1910, he was the first photographer named an art specialist in service to the imperial household. Thus Ogawa brought technologies to Japan from overseas at an early date and put them to use in the development and success of his business endeavors. In the shadows of this success however, was the support of Viscount Okabe Nagamoto (1855–1925). Viscount Okabe understood photography and himself took pictures, serving as the vice-chairman of the Nihon Shashin-kai, Japan's first such group established in 1889 with Ogawa as the organizer. In 1893 Okabe was one of the organizers of the Dai Nihon Shashin Hinpyôkai. The Hinpyôkai welcomed numerous members of the aristocracy, Tokugawa Atsuyoshi was the chairman of the group and the members of the nobility were all named honorary members. Having members of the nobility as the chairman and vice chairman probably lent authority to the group, but it was a fact that many of the nobility of the day were photographic aficionados, and that tendency can be seen amongst many of them with diplomatic or overseas study experience. They are thought to have taken photographs of scenes they witnessed while overseas and as some sort of record of their journeys, and after their return to Japan they joined photography groups that had a salon-like atmosphere and represented gatherings of intellectuals from both Japan and overseas. The Kakô-kai was the highest ranking gathering of upper class members interested in photography, and their journal, Hana-no-kage, became printed photographic compendia that allowed them to publish their photographs as they liked. Unlike ordinary photographic groups, whose membership was too large to allow compendia of works by all members, the Kakô-kai had only a small number of members, and their publications were further realized because all the members were of the same status. Not only did Kuroda Seiki provide photographic critiques for Hana-no-kage, he also acted as a judge for photographic contests held by such organizations as the Tokyo Photographic Materials Association. Kuroda, a professor at Tokyo Bijutsu Gakkô and a leading Westernstyle painter, was probably asked to be a judge in order to add tone to the contest. In the same manner, for the noble members of the Kakô-kai, having Kuroda provide photographic critiques in Hana-no-kage may have made them feel that their works would be more highly valued. This would have also been the case for photographic critiques by Ogawa, a major force in the Japanese photographic world of the day. Inviting the two men to provide critiques, and the publication itself of the Hana-no-kage, can be considered the shining moments of Japanese photography during a time when photography was still new and available to and enjoyed by only a limited number of people.