著者
三井所 清典
出版者
一般社団法人日本建築学会
雑誌
建築雑誌 (ISSN:00038555)
巻号頁・発行日
vol.108, no.1339, pp.148-149, 1993-03-10
著者
田中 誠雄
出版者
社団法人日本造園学会
雑誌
造園雑誌 (ISSN:03877248)
巻号頁・発行日
vol.39, no.3, pp.18-28, 1976-01-24

As the forest environment investigation, I investigated the sound level (phone), the temparature(℃), the vegetation, the illumimation (lux), and the number of persons etc.. Next I examined the relation between these and the selected number of the feeling words. It is difficult to measure the physical quantity etc. in relation to man's feelings, but with efforts it can become powerful as arm of "The Conservation of Nature". Well, the view of landscape (nature) consists of Nagame [view] and Funiki [atomosphere] which generate from man's idea. They correspond to long and short destance of man's feelings, scientific and religious (unscientific), confrontation and indentification with self, and outside (Mt. Arashi) and inside (Mt. Kurama) of a forest. Moreover, as approches to the nature, "Yasuragi" and "Shinpi". When we face the nature, from now on we must pursue not only Amae [sweets] (Yasuragi) but also must have Shinpi ; psychictension enerates from awe of a life. The one is mundane (man-centered) and Nagame, the other is sacred and Funiki. This is the way of Landscaper who cosiders "The Conservation of Nature".
著者
中村 哲
出版者
法政大学
雑誌
沖縄文化研究
巻号頁・発行日
vol.3, pp.209-228, 1976-07-28
著者
吉野 裕子
出版者
日本文化人類学会
雑誌
民族學研究 (ISSN:00215023)
巻号頁・発行日
vol.45, no.2, pp.134-159, 1980-09-30

In the serialized reports the writer gave in this journal's previous issues entitled "Studies on Ise Shrine, Part I-III, the contention is that what we conceive of as typically Japanese festivities observed and conducted in the Shrine were actually very much influenced by the old Chinese philosophical thinking of "Cosmic Dual Forces and Five Natural Elements' as envisioned in the enshrining of AMATERASU, the Imperial ancestral goddess in the Ise Shrine. She was the incarnation of the Chinese cosmic god of Tai-Yi, the mythical identification of the North Star and to the Geku goddess, the outer Shrine, the enshrining of the Big Dipper. While festivals observed at Ise Shrine are Imperial Household rituals, the thought of Cosmic Dual Forces and Five Natural Elements was also widely and forcefully applied and practiced in the public domain such as in the festivities, seasonal change customs and in conjurations to avoid ill omens and calamities. The present report is a study of such phenomena. According to ancient Chinese philosphy. CHAOS was the one and only absolute being in the primordial age. Out of this CHAOS, the light, clear and clean Yang (陽) atmosphere rose to form the Heavens while the dark, heavy and murky Yin (陰) atmosphere descended to form the land. Since the two poles of Yin (陰) and Yang (陽) are the spinoff from the same maternal substance, the CHAOS, their roots are identical and therefore, they would attract one another, mingle and react, and as a result, would produce the five natural elements of Wood, Fire, Earth, Metal and Water. Every phenomenon was categorized into one of these five natural elements. The colours, directions, seasons, times, virtues, sounds and the kinds of living creatures to such natural phenomena as thunder, wind and so forth were all conformed into one of these five natural elements. To illustrate, the wood spirit symbolizes the Spring of the seasons, blue is its colour, East is its direction, and Morning in time, while the Fire spirit symbolizes Summer, Red, South and Noon, and Metal, Autumn, White, West and Evening respectively. There was another thought regarding these five Natural Elements which was reactionary in its function:one was continuity and amity, while the other was conflict and struggle. Continuity and amity will bear Fire from the Wood while Fire will bear Earth and the Earth, the Metal and the Metal bears Water while Water bears Wood. This is the plus or positive factor relation. The conflict and struggle are negative or minus relation in which the Wood overcomes Earth, and Earth the Water and Water the Fire and Fire the Metal, with Metal overcoming the Wood. These two opposing and reactionary functions serve to guarantee the perpetuation of all living matter. What the Chinese emphasized most was the smooth transition of the four seasons. They believed that people should actively participate and assist the natural transition of seasons and to this end the ancient Chinese emperors wore blue clothes and blue jewels to meet the Wood spirit on the first day of Spring (calendar date) and walked out to the East suburb to personally welcome the Spring. By the same token. in summer they wore red clothes and red jewels and walked out to the South suburb. Thus, by personally greeting the four seasons, they encouraged the natural transition of the seasons. For the Japanese, a race dependent on rice crops, they too would seek a regulated transition of the four seasons and the principle practiced in China would be utilized and practiced.
著者
伊東 明
出版者
上智大学
雑誌
上智大学体育 (ISSN:02870568)
巻号頁・発行日
vol.19, pp.19-43, 1986-03-25
著者
前川 進 寺分 元一 中村 直彦
出版者
園藝學會
雑誌
園芸学会雑誌 (ISSN:00137626)
巻号頁・発行日
vol.49, no.2, pp.251-259, 1980
被引用文献数
3 9

開花後濃色化する変色型バラ品種′絵日傘′(F1.)の花色素生成に及ぼす光の影響を調べるために, 鉢植え個体の花蕾及び単離花弁への種々の光処理を行った.<br>20°C下での単離花弁の培養において, 10~20%しょ糖培地で多くのアントシアニンの生成が得られ, 置床後3日間はその生成量も多かった.<br>暗黒及び可視光のみの照射のもとでアントシアニンは生成されず, 330nmより短いUVを含む光の照射によってはじめて生成が認められた.<br>UVの強さや照射時間が増すにつれて, 色素量は増加するが, 強いUVを短時間照射するよりも弱くても長時間与えた方が同じエネルギー量で効果が大きかった.<br>一方, 可視光はUV照射の前かあるいは同時に照射された場合, アントシアニンの生成に促進的に働き, UVのみの照射と比べて著しく色素含量を増加した. 更に, その可視光の強さが増すとともにアントシアニンも比例して多く生成された.<br>可視光とUVを交互に照射したとき, その周期が短いほど生成されるアントシアニン量は多かった.<br>栽培中のバラに対して, UVを夜間より日中に照射した場合, より多くのアントシアニンが生成された.
著者
吉田 博宣 坂本 圭児
出版者
社団法人日本造園学会
雑誌
造園雑誌 (ISSN:03877248)
巻号頁・発行日
vol.50, no.5, pp.78-83, 1987-03-31
被引用文献数
2 2

前年に引続き、ニレ科樹林の残存形態を調査した。今回は、京都市街のより広い範囲でニレ科樹林(木)の分布と樹木の形状を調査し、さらに、その中で調査区を設けて残存形態と土地利用との関係について調べた。その結果、ニレ科樹林(木)の残存は社寺境内や旧屋敷跡等の歴史的な土地に多く、その樹木景観は歴史的土地利用景観の1つの象徴であることが確認された。また、残存過程について、いくつかの類型か考察された。
著者
吉田 博宣 坂本 圭児 河合 健
出版者
社団法人日本造園学会
雑誌
造園雑誌 (ISSN:03877248)
巻号頁・発行日
vol.51, no.5, pp.228-233, 1988-03-31
被引用文献数
1 3

京都市街地に孤立木として残存するニレ科の大径木について,所有者と周辺住民にアンケート調査を行い,その意識を調べた。所有者では社寺と民家などその立場の違いで,また,住民では残存木からの距離の違いで意識が異なることが判明した。所有者と住民では残存木に対する判定構造に違いがあるが,ともに「迷惑さ」と「歴史性」または「評価性」という相反する意識の均衡のうえで残存が維持されていることが考察された。