著者
Nagase Kei Tarohmaru Hiroshi
巻号頁・発行日
pp.1-22, 2019-04

この論文は、永瀬圭・太郎丸博, 2014, 「性役割意識のコーホート分析 --若者は保守化しているか?--」『ソシオロジ』58(3): 19-33の英訳である。
著者
山本 忠宏 大塚 英志 石井 岳龍 橋本 英治 泉 政文 Tadahiro YAMAMOTO Eiji OHTSUKA Gakuryu ISHII Eiji HASHIMOTO Masafumi IZUMI
出版者
神戸芸術工科大学
雑誌
芸術工学2012
巻号頁・発行日
2012-11-30

本研究の目的は、まんがと映画の関係について、実際にまんがを映像化して研究資料自体を制作することと、作成した資料をもとに異なるメディウムである両者について検証を試みることである。すでにまんがと映画の関係については、多くの先行研究により様々な角度から検証が行われているが、それらを踏まえつつ新たな論点を探求することも視野に入れる。本論では、大塚英志原作、藤原カムイ作画『アンラッキーヤングメン』(角川書店、2004~6)の一部を逐語訳的に映像化した上で、すでに一部逐語訳的映像化を行った石ノ森章太郎『龍神沼』(講談社、1961)の映像と適宜比較検証することで特徴を明らかにするとともに、1960 年代と2000 年代の映画的手法における表現の変化についても考察していく。The objective of this case study is to compare and verify the relationship between the manga and the film created with manga as a base. The research about this process is carried out by many researchers previously. So, including the viewpoint of other researchers, I will add my own views to find a new approach to the issue of these studies.In this paper, I am converting the part of manga written by Eiji OHTSUKA and Kamui FUJIWARA titled "UNLUCKY YOUNGMEN" and compare it to the manga based film" RYUJINNUMA" previously converted by myself which was written by Shotaro ISHINOMORI in 1961. Comparing and verifying these two films conversion process will find out the difference between the changes of the method of film in manga from 1960s' to 2000s'.
著者
鵜生川 恵美子 Ubukawa Emiko
出版者
育英大学・育英短期大学
雑誌
育英短期大学研究紀要 (ISSN:09143351)
巻号頁・発行日
no.36, pp.41-54, 2019-03-15

Spirituality has been discussed as an important topic in many other settings as well as inmedical ones. It has also been considered to possibly emerge when people are under criticalcircumstances such as death, dying, and bereavement. Therefore, spirituality can be said to be depicted in death-related literature for children.There are, however, a limited number of researches on death in childrenʼs literature. Furthermore,few studies have been published on spirituality in death-related childrenʼs literature. This article presents a brief overview of the trends in academic researches on death-relatedEnglish literature for children and then introduces Dr. Corrʼs research on spirituality in suchchildrenʼs literature published in 2004 as an indicator for further research on spirituality inEnglish childrenʼs literature. It is hoped that his research on spirituality in death-related childrenʼs literature will be aspringboard for similar researches on Japanese childrenʼs literature and a comparative studybetween English childrenʼs literature and Japanese one in the spiritual setting.
著者
岩 志津子
出版者
一般財団法人 日本国際政治学会
雑誌
国際政治 (ISSN:04542215)
巻号頁・発行日
vol.1994, no.107, pp.43-56,L8, 1994

In this article an attempt is made to analyze how the Brezhnev government coped with the Prague Spring, by focusing on the following three points; military pressure on Czechoslovakia, Dubcek's ability to control the situation, bilateral and multilateral negotiations among socialist bloc countries.<br>CPCz April plenum adopted the Action Program as the guideline to reform socialism in Czechoslovakia. Although CPSU April plenum gave an indirect warning that such an activity might be dangerous, the Soviet Politburo sent a letter of &ldquo;good will&rdquo; to Dubcek's government as a conciliatory measure. In May, WTO contries, with the exception of Rumania and Czechoslovakia, discussed the situation in Czechoslovakia and agreed on military exercises there as a temporary measure. After Kosygin's and Grechko's visits, Czechoslovakia also gave its consent to such military exercises in June. Although CPCz May plenum promised not to radicalize the reform, a dicision was reached to hold an Extraordinary Fourteenth Party Congress on September 9.<br>Reacting to the Prague Spring, the Soviet leadership sought negotiations with the USA and FRG. Czechoslovakia also showed an interest in the relations with FRG. As a result of these attempts, Ulbricht attacked the very possibility of such exchanges with FRG and the situation in Czechoslovakia had not changed. Then Brezhnev proposed bilateral talks with the Dubcek government in the middle of June, but Dubcek rejected the offer. This rejection influenced Brezhnev's perception of Dubcek as a leader whose policy was not in line with the orthodox communist tradition.<br>Military maneuvers which started from June 20 were strongly opposed by the Czechoslovak people and the famous &ldquo;Two Thousand Words&rdquo; was published in Prague. This statement proved to be a turning point and the Brezhnev Politburo changed their policies in three main aspects. 1. The Soviets stopped the negotiations with the FRG concerning the Nuclear Nonproliferation Treaty. 2. They postponed the end of the military maneuvers. 3. They replaced the bilateral meeting with Dubcek by the multilateral meeting in Warsaw.<br>In the Warsaw meeting, Gomulka, Ulbricht and Zhivkov, who had attacked the Prague Spring from March, once again heavily criticised Czechoslovakia. Brezhnev also showed strong doubt in Dubchek's leadership and decided to secretly seek a puppet government. After the meeting, Soviet and Czechoslovakia had bilateral talks at Cierna nad Tisou and later a multilateral conference at Bratislava. No decisive and concrete agreements were reached, but at the time of the Bratislava conference, a letter to ask &ldquo;brotherly aid&rdquo; was sent to Brezhnev. The political negotiations were over. It depended on Dubcek's leadership whether to take resolute measures or not. Soviet leaders had gone on the summer vacation.<br>Even in the middle of August, the situation in Czechoslovakia had hardly changed, and Chervonenko reported it to Brezhnev at Yalta. Ulbrichit and Shelest, who had strongly opposed the Prague Spring, also conveyed the same information.<br>At last the Soviet Politburo gathered on August 16 in Moscow and decided on a military intervention in Czechoslovakia. There were some indications that Western countries were not likely to react too strongly if such an intervention did take place.<br>In conclusion, it may be said that military intervention did not only result in the consolidation of the Soviet bloc and promoted the creation of the basis of the detente at that time, but also deprived the socialist countries of the reform impetus beyond the Prague Spring for twenty years.
著者
佐藤 直樹
雑誌
美術研究 = The bijutsu kenkiu : the journal of art studies
巻号頁・発行日
no.415, pp.32-42, 2015-03-20

I was a coordinator at the International Symposium on the Conservation and Restoration of Cultural Property "Reconsidering 'Form': Towards a More Open Discussion" held in January 2014, and was extremely stimulated by my interactions there with scholars from outside the field of art history. In a closed environment where research has become overly specialized and one's focus turns to the narrowest of subjects, I felt that this symposium experimented with ventilating this compartmentalized research through debate with researchers from other fields. The results from such cross-disciplinary exchange are not inconsiderable. Thus I thought to propose one possibility in the study of the history of Japanese art from the viewpoint of the study of Western art, which I conceived after this symposium. Erwin Panofsky's iconology study set a new course from the use of conventional stylistic analysis in the history of Western art, but it is less well known that, in fact, Panofsky's theory was basically indebted to Aby Warburg's crossdisciplinary research methods. Warburg utilized a massive amount of historical material and endeavored to decipher an artwork from a certain viewpoint. Amongst his methods, his Bilderatlas Mnemosyne was intended to measure the bearings of art history. And yet, even after filling 63 panels with many photos and cuttings from advertisements and magazines, he left it unfinished, without explanation. Because there was no explanation, the Bilderatlas Mnemosyne became a richly suggestive visual tool, and continues to greatly stimulating scholars today as an alternative model for art historical thought. Warburg's own thoughts on the Bilderatlas were diverse, and he succeeded in formulating the concept of Pathosformel out of the fact that ancient human body expression lives on, undying, through the ages. I also think that this Pathosformel concept can be applied to the study of the history of Japanese art. The symposium presentation made by waka researcher Watanabe Yasuaki made me realize that the standard 5-7-5-7-7 form of the waka poem both bears the emotions of the Japanese people, as well as continuing on, unflaggingly, from antiquity to today. Indeed, because waka have served since antiquity as the shared cultural memory of Japan's educated classes, then surely when such people face a painting, even across the eras, it would evoke in them their own waka verse. In the kana preface to the Kokinwakashû imperial waka anthology, Ki no Tsurayuki pronounced the following secret to the creation of waka, to paraphrase, "The human heart is the seed of the Yamato poem, which grows into myriad words." While in the West inspiration is said to come from the heavens, in Japan it is found in the human heart. Waka was clearly recognized as a human-centric art at the beginning of the 10th century. And indeed, this philosophy can also become an important key when considering Japanese art. While waka and Japanese art are already being researched in the sub-field of uta-e, a type of painting with poems rendered in calligraphic form within the painting, there is yet to be a systematic cross-disciplinary study between literature and the visual arts. While iconographic research on waka lies concealed within the genre themes of Japanese art, it is probably still impossible for scholars from the fields of Japanese literature and art history to conduct crossdisciplinary, joint research. In that regard the NRICPT can play a major role as the locus for such research. I anticipate a bud sprouting from such cross-disciplinary studies in Tokyo from the seeds sown by Warburg's research model.
著者
渡邉 彰吾 六沢 一昭
雑誌
研究報告音楽情報科学(MUS) (ISSN:21888752)
巻号頁・発行日
vol.2017-MUS-115, no.25, pp.1-5, 2017-06-10

本稿は,Perl プログラムから楽曲を作成するシステムについて述べる.プログラムを見た時に感じる印象を,聴いて楽しむことのできる楽曲という形で表現することがこのシステムの目標である.楽曲は,プログラムの 1 行を 1 小節として作成する.まず,プログラムを見た時の印象に影響する情報を解析し,各小節のコードを決定する.そして,コードをもとにメロディとリズム,それにハーモニーを作成する.
著者
田原 範子
出版者
国立歴史民俗博物館
雑誌
国立歴史民俗博物館研究報告 (ISSN:02867400)
巻号頁・発行日
vol.169, pp.167-207, 2011-11

本稿では,死という現象を起点としてアルル人の生活世界の記述を試みた。アルバート湖岸のアルル人たちは,生涯もしくは数世代に渡る移動のなかで,複数の生活拠点をもちつつ生きている。死に際して可能であれば,遺体は故郷の家(ホーム)まで搬送され,埋葬される。遺体の搬送が不可能な場合,死者の遺品をホームに埋葬する。埋葬地をめぐる決断の背景には,以下のような祖霊観がある。身体(dano)が没した後,ティポ(tipo)は身体を離れて新しい世界へ移動する。ティポは,人間界とティポの世界を往来しつつ,時には嫉妬などの感情を抱き,現実に生きている人びとの生活を脅かす。病気や生活の困難はティポからのメッセージである。そのような場合,ティポは空腹で黒い山羊を欲している。その求めに速やかに応じるために,埋葬地は祖先たちの住む場所つまりホームが望ましい。アルル人のホームランドでは,ティポはアビラ(abila)とジョク(s.jok,pl.jogi)とともに祀られている。ティポは現世の人間に危害を及ぼすだけの存在ではない。ティポの住まうアビラやジョクに対して,人びとは,語りかけ,家を建て,食物を用意し,山羊を供儀する。父や祖父のティポを通して,祖先の死者たちは生者と交流する。その交流は,生者に幸運や未来の予言をもたらすこともある。死者と生者が共にある空間で,死者のティポは安住することができる。移動に住まう人びともまた,死者をホームに搬送すること,死者の代わりに死者の遺品を埋葬することを通して,ティポの世界と交流している。In this paper, I have attempted to portray the life-world of Alur people through the process of burial. Some Alur migrate and have multiple living bases during their lifetime and through several generations on the shores of Lake Albert. When someone dies, it is common for the body to be carried home for burial. However when this is not possible, the belongings of the deceased are carried back to be buried, instead of the body. The practice of burial reveals Alur recognition of the spiritual world, as below:After the body (dano: s.&pl.) has died, the spirit (tipo: s.&pl.) leaves it and travels to another world. Tipo can also come and go between this world and another world which the tipo belongs to. In the case of the tipo having a negative emotion such as jealousy, it threatens living people. Sometimes illness and tribulations are messages from the tipo which is hungry and wants the blood of a black goat. In order to respond to the messages promptly, it is desirable to bury the deceased in their homeland.In the Alur homeland, the tipo of ancestors are enshrined together with jok ( pl.: jogi) and abila. Tipo do not always bring harm to the living. For jok and abila, people build them a house to live in, serve food to eat, plant herbs to take care of them, arrange stones to guard them, and talk to them. Abila symbolizes paternal lineage and jogi represents mother and grandmother. Other ancestors communicate with the living through abila and jok. This interaction brings luck, prophecies, and occasionally misfortune.Tipo can live in peace in such a life-world where there are daily interactions between the living and the dead. Carrying the dead body or the belongings of the deceased is also a form of interaction with another world by the people who live away from their homeland.
著者
Shoichiro Takei Masayuki Miyagi Wataru Saito Takayuki Imura Gen Inoue Toshiyuki Nakazawa Eiki Shirasawa Kentaro Uchida Tsutomu Akazawa Naonobu Takahira Masashi Takaso
出版者
The Japanese Society for Spine Surgery and Related Research
雑誌
Spine Surgery and Related Research (ISSN:2432261X)
巻号頁・発行日
vol.2, no.4, pp.294-298, 2018-10-26 (Released:2018-10-27)
参考文献数
22
被引用文献数
2 9

Introduction: Patients with spinal muscular atrophy (SMA) usually have progressive scoliosis. Although fusion of the sacrum or pelvis has been recommended for correcting pelvic obliquity (PO), the procedure is invasive. This study determined as to whether performing instrumentation to the fifth lumbar vertebra (L5) is safe and effective for scoliosis in patients with SMA.Methods: Twelve patients with SMA underwent posterior spinal fusion and stopping instrumentation at the L5 level. We evaluated age at surgery, the duration of surgery, blood loss, complications, preoperative and postoperative Cobb angles, and PO.Results: The mean age at surgery was 11.4 years; the mean duration of surgery was 319 minutes, and the mean blood loss was 1170 mL. The Cobb angle improved from 97.3° to 39.1° at 1 month postoperatively (correction rate, 60.9%) and to 42.3° at the final follow-up. PO was corrected from 27.8° to 13.1° at 1 month postoperatively (correction rate, 51.7%) and to 19.8° at the final follow-up. No complications were reported. All patients showed improvement in low back pain, with reduced difficulty while sitting. However, >10% correction loss of PO was observed in 6 patients with high preoperative PO.Conclusions: The correction rate of scoliosis in SMA patients with posterior spinal fusion and instrumentation to the L5 level was acceptable, and no complications occurred. Scoliosis associated with SMA was more rigid and severer than scoliosis associated with Duchenne muscular dystrophy. Correction rates of the Cobb angle and PO in SMA patients with instrumentation to L5 were similar to those in SMA patients with instrumentation to the sacrum or pelvis. Correction loss of PO was greater in patients with high preoperative PO than in those with low preoperative PO. Instrumentation and fusion to L5 for scoliosis in patients with SMA seems safe and effective, except in cases of high preoperative PO.
著者
野崎 大地
出版者
公益社団法人 計測自動制御学会
雑誌
計測と制御 (ISSN:04534662)
巻号頁・発行日
vol.56, no.8, pp.580-583, 2017-08-10 (Released:2017-08-19)
参考文献数
21
被引用文献数
1