著者

中村 信博

出版者

京都

雑誌

同志社女子大学学術研究年報 (ISSN:04180038)

巻号頁・発行日

no.58, pp.19-26, 2007

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論文 (Article)

著者

川村 清志 カワムラ キヨシ Kiyoshi Kawamura

雑誌

札幌大学総合論叢

巻号頁・発行日

vol.32, pp.131-162, 2011-10

著者

森 理恵

出版者

美学会

雑誌

美學 (ISSN:05200962)

巻号頁・発行日

vol.56, no.4, pp.41-54, 2006-03-31

被引用文献数

1

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This article analyzes garments worn by young males depicted in Ihara Saikaku's 1687 publication entitled Great Mirror of Male Love, or Nanshoku Okagami. Saikaku describes garments with long fluttering sleeves, known as furisode, that were worn by young males, such as those who worked as pages in the service of military lords (kosho). Their garments, portrayed as gorgeous (hanayako) and elegant (furyu), represented the cutting edge of fashionable dress of the period. The furisode worn by young males employed in theaters mimicked those worn by young pages; however, their complicated patterns are thought to be specific to actors' garments. Furisode worn by young male actors differed little from that of young women. This study reveals that the wearing of furisode depended not on gender, but rather according to age or social status. On the other hand, the effect of interactions among social classes is apparent. Men described in The Great Mirror of Male Love followed established social norms but through interactions across class boundaries, created their own distinctive mode of beautiful clothing.

著者

藤岡 真之

出版者

立教大学

雑誌

応用社会学研究 (ISSN:03876756)

巻号頁・発行日

no.44, pp.127-136, 2002

著者

ムンクジルガラ

出版者

和光大学現代人間学部

雑誌

和光大学現代人間学部紀要 (ISSN:18827292)

巻号頁・発行日

no.3, pp.117-135, 2010-03

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本稿の課題は、アイヌの海外諸民族との交流が、彼らの民族としての復権運動において大きな意味を持つことを文献資料及び聞き取り調査などに基づいて明らかにすることである。アイヌの民族復権運動は、長年日本政府によって強いられてきた「同化」政策や一般の人々の間にある差別や偏見のなかで他者からも独自の民族とみなされないだけではなく、アイヌ自らも民族として名乗れなかったなど、紆余曲折をたどった。70年代に実現したアイヌ中国訪問は、アイヌにとって、初の海外交流になっただけではなく、中国の少数民族との交流は「輝かしいもの」として中国の民族政策のあり様に触れる機会となった。中国の少数民族との交流の実現は、アイヌの民族としての復権運動の大きな契機となった。アイヌは、中国の民族政策に倣って日本における少数民族としての諸権利を求める運動を展開させていこうとした。中国訪問に始まる世界の先住・少数民族との積極的な交流は、アイヌの民族の権利回復と結びついていったのである。

著者

清水 美知子

出版者

関西国際大学

雑誌

研究紀要 (ISSN:13455311)

巻号頁・発行日

no.10, pp.101-116, 2009-03

著者

湯浅 吉美

出版者

埼玉学園大学

雑誌

埼玉学園大学紀要. 人間学部篇 (ISSN:13470515)

巻号頁・発行日

vol.10, pp.63-76, 2010-12

著者

二階堂 善弘

出版者

関西大学

雑誌

東アジア文化交渉研究 (ISSN:18827748)

巻号頁・発行日

vol.5, pp.11-22, 2012-02-01

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Seen from the perspective of cultural interaction, Myōken was originally therepresentative deity of esoteric Buddhism; however, it is believed that under the infl uence of multiple gods, this deity underwent a change. For example, Zhenwu, as the god Zhenzhai Lingfu, blended and fused with Myōken. Because of this syncretism, a Zhenwu-type Myōken appears in fi gures, such as the Chiba Myōken. In other examples, however, Myōken assumes a form close to the Daishōgun, and a number of diverse images have been preserved. This diversity of the Myōken god suggests that it should beconsidered a composite of multiple gods.

著者

渋谷 聡

出版者

島根大学

雑誌

社会文化論集 : 島根大学法文学部紀要社会文化学科編 (ISSN:18802184)

巻号頁・発行日

vol.1, pp.27-42, 2004-12-25

著者

村川 庸子

出版者

敬愛大学・千葉敬愛短期大学

雑誌

環境情報研究 (ISSN:0919729X)

巻号頁・発行日

no.9, pp.113-124, 2001-04

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This is a part of the cooperative study entitled "Empirical Research on the Social and Cultural Characteristics of the Surrounding Area of Sanrizuka, Narita in Chiba Prefecture. Paying attention to the fact that there were some settlers, who were originally from Kumejima, Okinawa, had immigrated and had been repatriated from abroad after defeat of Japan, the present writer traces their "postwar history"-how they reestablished their lives in Sanrizuka, keeping the social and cultural ties and solidarity in the Okinawan community, and how they coped with the eviction problem from the airport site. Their stories provide a fresh perspective for looking at historical and contemporary significances both "Okinawa" and "Narita" in the postwar history of Japan.

著者

高坂 康雅

出版者

日本青年心理学会

雑誌

青年心理学研究 (ISSN:09153349)

巻号頁・発行日

vol.23, no.2, pp.147-158, 2011-12-25

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Psychological characteristics of young people not desiring a steady romantic relationship (Love-Unnecessary group) were compared with those that desired the steady relationship that they had (Love group), and those that desired a steady relationships that they did not have (Love-Longing group), from the perspectives of ego development, mental health, and individualism. A survey inquiring about psychological stress reactions, identity, sense of fulfillment, individualism, state of the romantic relationship, and the reason for not desiring a steady relationship, was conducted with university students (n =1350). The results indicated that 18.0 % of the participants belonged to the Love-Unnecessary group. Moreover, there was a bigger proportion of girls in the Love group and a bigger proportion of boys in the Love-Longing group, whereas no significant differences were observed in the proportion of boys to girls in the Love-Unnecessary group. Furthermore, the Love group scored high in identity establishment and mental health, whereas the Love-Longing group scored moderately in identity establishment and low in mental health. The Love-Unnecessary group scored low in identity establishment, lacked motivation, and displayed arbitrary thinking.

著者

徳山 朋恵 Tomoe TOKUYAMA 京都文教大学大学院臨床心理学研究科 Kyoto Bunkyo University Graduate School of Clinical Psychology

雑誌

臨床心理学部研究報告 = Reports from the Faculty of Clinical Psychology, Kyoto Bunkyo University (ISSN:18843751)

巻号頁・発行日

vol.7, pp.71-84, 2015-03-31

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Gothloli have been reported in many fields. However, it leads to be reported sporadically due to diversified standpoints. The purpose of this paper is to understand what kind of phenomenon is happened and how this is happened, and how one feel when one wear Gothloli from the clinical psychological standpoint. First, I classified Gothloli into 3 groups: Gothic, Lolita, and Gothic&Lolita. I summed up the study about these groups and the scheme of these things. After that, I defined the meanings of Gothic, Lolita, and Gothic & Lolita in this paper. Gothic is the deviation from society and dark view of world, and intention of transcendent material. Lolita is awareness and affirming their own dream, ideal, an unreal longing world leading to the prettiness or the girlness whatever one wear. Gothic&Lolita is combining both meanings. Second, I summed up the study of clothing psychology. Especially, the 3 points are shown in this paper: that wear relates to many kind of desire according to Maslowʼs desiring levels, that wearer decides to wear the clothes by unreal and real body scheme and self-concept, and that wear express positive or negative feelings and a sense of shame. I found that in the clinical psychological study of Gothloli, a certain paper mentioned Gothloli relates to stabbing incident in 2003, another paper said with standpoint of narcissism and phenomenology, although there are only a few studies. I interviewed 6 people and revealed that relationship between wearer and Gothloli by classifying the pattern of interview result with KJ method. In addition, I found that the difference how one think about Gothloli for wearer by the PAC analysis for 3 people. Here, I approached the mechanism model how one feel when wearing Gothloli. However, the problem of low number of subject person is still remained. Hereafter, It might be needed the additional research with more interview result, related clothing psychological research, and psychological research of cloth except for Gothloli or makeup.

著者

堀江 宗正

出版者

日本宗教学会

雑誌

宗教研究 (ISSN:03873293)

巻号頁・発行日

vol.85, no.4, pp.1042-1043, 2012-03-30

著者

田中 智仁 Tomohito Tanaka 仙台大学 Sendai University

出版者

仙台大学

雑誌

仙台大学紀要 = Bulletin of Sendai College (ISSN:03893073)

巻号頁・発行日

vol.46, no.2, pp.35-45, 2015-03-31

著者

林 直道

出版者

島根県立大学

雑誌

北東アジア研究 (ISSN:13463810)

巻号頁・発行日

vol.6, pp.141-151, 2004-01

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1) Lord Teika Fujiwara was the most famous poet during the last Heian and early Kamakura period. He was poor and low in position. But the ex-emperor Gotobain judged Teika's talent and appointed him to an official of Waka (poem) Bureau since when Teika could make a brilliant figure in the circle of court poetry. Their honeymoon, however, could not continue so long. Several times they fell out owing to the opposition of appraisal of poem. At last Teika was convicted to the house arrest on the charge of ill-omened poem making. 2) In 1221 Gotobain as the top leader of aristocracy decided to overthrow the Kamakura Shogunate and rose in coup d'Etat. But, he could gather the military forces merely 25 thousands of persons, and was defeated by the 195000 strong troop of Shogunate. Gotoba was caught and exiled to Oki Island, one of the solitary island far out on the Nippon-Kai (Sea of Japan). His third Imperial Prince ex-emperor Juntoku was exiled to Sado-Island. This war is called 'the revolt of Jokyu.' 3) By contrast with Gotobain's tragic destiny, Teika succeeded in life under the patronage of new Emperor Gohorikawa who had acceded to the throne as the puppet of Kamakura Shogunate. Teika and his sun Tameie advanced to the high position. Teika was crowned with glory to edit by himself the new anthology collected by Imperial Command. Teika would not send the only letter of sympathy and the only present of consolation to Gotobain who was obliged to send a miserable life under despair and loneliness. 4) It was natural that Gotobain and his close associates criticized Teika's attitude unfavorably as the shameless and ungrateful one. When Gotobain edited a new poetical composition matches named "Jidai-Fudo-Utaawase, " he compiled Fujiwara letaka, who showed great sincerity to him, with the excellent female poet, Mise Onono-Komachi. On the contrary, Gotobain compiled Teika, who went back on him, with the second classed poet, Prince Motoyoshi. So many historian have looked on as if Gotobain and Teika, these two prominent poets ended their life excluding each other. 5) But, this view is not correct. Gotobain in his later years edited a very extraordinary poetical composition matches named "Poetical composition matches of two Lord Teika-Ietaka, " in which Teika was written on the left side and Ietaka on the right side. Most remarkable point is the special character of Teika's poems. Among 50 poems, the inhalt of the first half about 30 poems are exclamation to the uncertain change of beautiful nature and flowering plant. And the inhalt of the second half about 20 poems are the sympathy to the tragic destiny of lifelong separated person, and the bitter sorrow. We feel as if Teika appeal to Gotobain "Every night I am crying and fall in the blues." This poetical composition matches is the message of Gotobain to Teika that "I understand your genuine feelings." 6) By what reasons Gotobain his attitude to Teika made a complete change by one hundred and eighty degrees? The reason is nothing else than the appearance of Teika's "Hyakunin-isshu (One Hundred Poems from One Hundred poets, 1235)." Upper mentioned Gotobain's Utaawase was edited during 4 years from July of 2nd year of Katei [1236] to the death year of Gotobain [1239]. Teika's Hyakunin-isshu was edited at May of the 2nd year of Bunryaku [1235]. Hyakunin-isshu is the most famous Anthology of excellent poems from one hundred poets in Man'yo, Heian and Kamakura periods. But, behind it, a wonderful elaborate device was hidden, which made a great impression on Gotobain. 7) Owing my decoding, the mystery of Hyakunin-isshu is as follows: (1) Hyakunin-isshu is a Uta-Orimono (Waka-Textile woven with words), which is composed of ten Wakas both in length and in width, and were woven each other by the warp and woof of connecting words. Each Waka has the word connection with four neighboring Wakas of right and left side and upper and lower side. Provided that, the corner Waka has two connection and edge Waka except corner has three connection. In the history of Japanese Waka, this word connection developed by way of four steps. Firstly, connection of two Wakas (Somonka of Man'yo), secondly, connection of several thousand Wakas in on horizontal line (Chokusen Waka Shu), thirdly, connection of double decker (Teika: Monogatari 200 Ban-Uta Awase), fourthly, connection of multistoreyed building type (Hyakunin-isshu). (2) If the connection words of 7 lines of right side of the Waka-Textile convert into picture, a beautiful landscape rise to the surface. Mountains rise in the surrounding part. Waterfall comes down in the central part. Big river flows in the lower part. Cherry blossoms, chrysanthemum, maple at the foot of mountain. Ditch reed on the shore of river. Various flowering plant in the field. Palace, temple, shrine, etc. This landscape corresponds to the reality of Minase country, in which the imperial villa of Gotobain was built. (3) At the four corner of Waka-Textile, there are four important persons. In Buddhism thought, the world (Mandala) is guarded by four Devos (Shitenno), who stand at the four corners of Mandala. Since this thought had been imported, Japanese intelligentia considered seriously the four corners of the thing. Well, Teika's Waka are put in the right-lower corner, in the position of Jikoku-ten. For one who comes not I yearn ; as at Matsuho, In the evening calm. The salt-weeds are burnt aglow. So parch'd am I for desire (translation by Haruo Miyata) "Matsuho" is the name of northern shore of Awaji Island. This Teika's poem expresses a pationately yearning mind for someone who comes not. Who is the someone no return? Because Teika's Waka is put in the position of Jikoku-Ten, the someone are put in the other three positions of four Devos. In the left lower corner, in the position of Zochoten-Gotobain. In the right upper corner, in the position of Tamonten-Juntokuin. These two persons are the ex-emperors, who were exiled in the prison islands and could not return to metropolis d. i. Kyoto. Furthermore, in the left upper corner, in the position of Komokuten-Shokushi Naishinno (Naishinno means the daughter of Tenno). Princess Shokushi was an excellent feminine poet and was the object of Teika's secret platonic love. She had died far previously before Hyakunin-isshu was edited. So, she could not return to this world again. 8) Hyakunin-isshu was sent to Gotobain. Perhaps the sender was not Teika, but Ietaka who was on friendly terms with Gotobain. Ietaka sent this Anthology in the form of Waka-Textile, taxing his ingenuity, under the strict censorship by the local agencies of Kamakura Shogunate. Successfully Gotobain could decode the secret of Hyakunin-isshu. Being suffered a great impression, he changed his valuation on Teika, and understood Teika's true feeling.

著者

土屋 晃佑 妻木 勇一 森 恭一

出版者

一般社団法人 日本機械学会

雑誌

ロボティクス・メカトロニクス講演会講演概要集

巻号頁・発行日

vol.2017, pp.2A2-P03, 2017

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<p>Bio-logging method obtains information by a data logger attached to the body of animals for ecological survey. It has great potential to reveal various mysteries of animals. Some researchers of sperm whales try to get the video data of preying sperm whales through the bio-logging, but no one has succeeded it. They can conventionally put a data logger only on the back of sperm whale. It is difficult to get video data around the sperm whale's mouth because of darkness of deep sea. To tackle this problem, we have introduced a "Whale Rover" which is able to move along the surface of sperm whale, and provide mobility for the data logger. Until now, we developed several prototypes of whale rover. In this paper, we introduce a new prototype which is expected to adopt curved surface.</p>

著者

山口 司

出版者

北星学園大学

雑誌

北星学園大学大学院論集 (ISSN:18845428)

巻号頁・発行日

vol.6, pp.77-85, 2015-03

著者

大島 徹

出版者

日本犯罪学会

雑誌

犯罪学雑誌 (ISSN:03020029)

巻号頁・発行日

vol.58, no.1, pp.p1-7, 1992-02

著者

菅原 郁子

出版者

専修大学

巻号頁・発行日

2015

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2014

著者

小林 庸浩

出版者

素粒子論グループ 素粒子研究編集部

雑誌

素粒子論研究 (ISSN:03711838)

巻号頁・発行日

vol.92, no.6, pp.61-73, 1996-03-20