著者
Philip D. ROUND Andrew J. PIERCE Takema SAITOH Yoshimitsu SHIGETA
出版者
日本鳥類標識協会
雑誌
日本鳥類標識協会誌 (ISSN:09144307)
巻号頁・発行日
vol.28, no.1, pp.9-21, 2016 (Released:2016-10-05)
参考文献数
20
被引用文献数
3

いくつかのムシクイ属Phylloscopusの種の非繁殖期の分布域があまり分かっていないのは,野外における種同定が難しいことがその一因である.私達は,オオムシクイPhylloscopus examinandus 5個体とエゾムシクイP. borealoides 12個体に基づく新たな記録を確認し,タイの鳥類相に加えることができた.すべてのオオムシクイの個体は,北方への春の渡り時期において捕獲・標識され,エゾムシクイの記録は,秋と春の両方の渡り時期であった.それらの種の同定は,ミトコンドリアDNA内のチトクロームcオキシダーゼサブユニットI(COI)遺伝子(約700塩基対)を用いて,確立された分析方法によって行われた.さらに,これらの種の計測データと共に,両種の姉妹種である,コムシクイP. borealisとアムールムシクイP. tenellipesの計測値についても示した.このことから,オオムシクイとエゾムシクイの両種が主に,スンダ亜区で越冬していることが明らかとなった.
著者
Hiroya Mizuno Tomohito Otani Yasushi Sakata
出版者
日本循環器学会
雑誌
Circulation Journal (ISSN:13469843)
巻号頁・発行日
pp.CJ-16-0981, (Released:2016-10-12)
参考文献数
12
被引用文献数
1

From August 27th to 31st, the 2016 Annual Congress of the European Society of Cardiology (ESC 2016) was held in Fiera di Roma, Italy. Despite the socially unstable situation, more than 32,000 attendees, including clinical physicians, basic researchers, medical students, and paramedical personnel, as well as 5,000 exhibitors from 106 countries gathered in this historical city to share the latest findings and to discuss the present issues in cardiovascular medicine. There were scientific sessions, including 28 Hot Lines, 26 clinical trial updates, 24 registry studies, and 5 clinical practice guideline sessions. Japan had 1,170 attendees, with 1,743 submitted and 670 accepted abstracts, including the NIPPON trial presented in the hotline session. From 2011 to 2016, Japan has been the first abstract submitter and has had the most abstracts accepted, which indicates the great contribution of Japanese cardiologists and the Japanese Circulation Society. This report briefly introduces the key presentations and highlights from the ESC 2016 Scientific Sessions.
著者
増田 智美
出版者
[出版者不明]
巻号頁・発行日
2005-07

制度:新 ; 文部省報告番号:甲2097号 ; 学位の種類:博士(人間科学) ; 授与年月日:2005/7/20 ; 早大学位記番号:新4068
著者
田中 智彦
出版者
一般社団法人 人文地理学会
雑誌
人文地理 (ISSN:00187216)
巻号頁・発行日
vol.39, no.6, pp.552-565, 1987-12-28 (Released:2009-04-28)
参考文献数
49

The Saikoku Thirty-three Kannons Pilgrimage is a folk-religious phenomenon and it attracted a number of pilgrims from most parts of the country during early modern times. Therefore it is very significant to study this pilgrimage from the view point of history of religions, cultural history, folklore, and especially historical-geography. Geographically, the Saikoku Pilgrimage, which consists of thirty-three sacred places called Fudasho, is united with a larger and organized sacred place as a whole called“The Saikoku Pilgrimage Place”.This study aims at reconstructing the two ordinary kinds of pilgrim routes from the 19th Fudasho, Ko Do Temple in Kyoto, to the 22nd Fudasho Soji Ji Temple in Ibaraki. One is the original and authorized rout between these Fudashos, and the other is the expanded and extraordinary route or Climbing Route over Atago Mountain. We compare them through the Tokoku pilgrims' records.As research materials we used the guide stones on the routes, the pilgrim's guidebooks, the illustrated pilgrim's maps, and the various records of pilgrims.As a results of this investigation we can conclude that the original pilgrim route from Yotsu Zuka in Kyoto to the 20th Fudasho, Yoshimine Dera Temple, is a relatively flat course. But the following section from Yoshimine Dera Temple to the 21st Fudasho, Ano Dera Temple in Kameyama takes a more steep course over the border mountains between Yamashiro and Tamba provinces and the next route from Ano Dera Temple to Soji Ji Temple is oals a steep course a cross the border mountains between Tamba and Settsu provinces.On the other hand, the Climbing Route over Atago Mountain begins from Seiryo Ji Temple, Kyoto, takes the same path through which people used monthly to visit the Atago Shrine on the top of Mount Atago, and then goes down towards Kameyama to arrive at Ano Dera Temple. The following section from Ano Dera Temple to Yoshimine Dera Temple is a reverse course of the original route. The route from Yoshimine Dera Temple to Soji Ji Temple follows the flat and comfortable Saikoku Highway, one of the main roads in that era in Japan.One pilgrim guidebook especially pointed out the lack of inns and resting houses on the original of the two routes, from Ano Dera Temple to Soji Ji Temple. But the Climbing Route over Atago Mountain has no such deficiency, but rather has many advantages along it through the path for the Atago Shrine and Saikoku Highway, which are different from the original route.By taking the Climbing Route over Atago Mountain, pilgrims could visit well-known and famous shrines or temples, for example, Komyo Ji Temple, Iwashimizu Hachimangu Shrine, Kannon Ji Temple, Hoshaku Ji Temple and so on.Moreover most of the guide stones confirmed by the author's observation point one way to Yoshimine Dera Temple, though some guide stones point two or more ways.These above mentioned facts seem to give a preference to the Climbing Route over Atago Mountain. According to their records, so many pilgrims from Tokoku in fact would go past the Climbing Route over Atago Mountain. Perhaps this route has been used since the Genroku Era.
著者
追立 祐嗣
出版者
沖縄国際大学
雑誌
沖縄国際大学外国語研究 (ISSN:1343070X)
巻号頁・発行日
vol.9, no.2, pp.A1-26, 2006-03-31

This paper demonstrates the similarities between some works in African-American literature and those in Okinawan literature. First, Langston Hughes's "Professor" and Tatsuhiro Oshiro's "Cocktail Party" show the protagonists' double consciousness or mask-wearing which W.E.B. DuBois regarded "sickness"; and in "Cocktail Party," the problem of sexuality is shown in the similarly way as in Richard Wright's Native Son. Secondly, Ralph Ellison's "Flying Home" and Eiki Matayoshi's "Buta-no-Mukui" show the symbolism of local culture: "buzzard" plays an important role for the protagonist's establishment of self identity in "Flying Home," so does "pig" in "Buta-no-Mukui." Thirdly, Toni Morrison's Beloved and Shun Medoruma's "Suiteki" use the surrealistic technique, which is quite effective for the themes of "the conversation with the dead" and "the reconstruction of history."
著者
杉本 真理子 Mariko SUGIMOTO
出版者
神戸芸術工科大学
雑誌
芸術工学2011
巻号頁・発行日
2011-11-30

この報告は、2010年10月17日~27日まで、神戸市のギャラリーにて開催された「OTOME展」についてのものである。「おとめ」とは何か、ただ単に「女性」や「少女」をテーマにしただけのイラスト展ではなく、インターネットのない時代から現代まで「カルチャーの原点は雑誌である」という仮説のもと、日本で最初の「少女まんが」は何か、少女まんがに影響された「叙情画」とは何か、昭和初期と現在の少女の文化はどう変化していったかということと、サブカルチャーの今までのあり方、さらにこれからのあり方を想定し、社会的背景や、ジェンダーの問題がどのように少女文化に影響を与えたのか、などの問題をふまえた上で、現在流行している「タレント本」から、細分化された「まんが」「ゲーム」「ライトノベル」などに登場するキャラクターの変化や、また別の切り口として「少女まんがは異端の文化」である事を理論付け、男性から見た現代の「OTOME」の姿と、女性から見た原点の「OTOME」の像を、イラストという形態でアウトプットし、展示した時に生じる何らかの差異が表面化できるかどうか試みたのが、今回の主旨でもある。This report is about "OTOME exhibition" exhibited at an gallery in Kobe from 17th to 27th of October in 2010.What is "OTOME (the meaning is girl in Japanese)" ?It is not only illustrations exhibition that the theme is "woman" or "girl". After supposing that what "the first girls cartoon" in Japan is, what "Jyojyo-ga (lyric picture)" influenced by girls cartoon is, how the girl's culture has changed since early Showa period until today and how subculture has existed until now besides how it will exists hereafter from resting on the supposition that " the source of culture is magazines" from early Showa period until today and referring to that social background and how the matter of gender has affected girl's culture, we developed a theory that change in characters in "famous people's essay" popular nowadays, "comic", "computer game", "light novel" and also the fact "girl's cartoon is heterodox culture" as another light and experimented whether we make any difference from exhibiting the works come to the surface or not by outputting a modern figure of "OTOME" from men's point of view and an original figure of "OTOME" from women's point of view by drawing illustrations. This experiment is our theme.
著者
増山 暁子
出版者
国立音楽大学
雑誌
研究紀要 (ISSN:02885492)
巻号頁・発行日
vol.13, pp.133-147, 1978