著者
中谷 文美 宇田川 妙子 石川 登 今野 美奈子 宇田川 妙子 石川 登 金野 美奈子 松前 もゆる
出版者
岡山大学
雑誌
基盤研究(B)
巻号頁・発行日
2005

本研究では、日本、オランダ、イタリア、ブルガリア、マレーシアという5つの異なる社会において、広い意味での「仕事」をめぐる事象や社会通念が、それぞれの社会におけるジェンダー規範や政治的・経済的変化との相互作用の中で、どのように変容し、あるいは維持されてきたかという問題を比較・検討した。その結果、何が仕事で、何が仕事でないか、といった区分も含め、多様な労働観が各社会に存在すること、また急速な産業化、政治体制の変化、社会政策の展開などが、仕事の水準をめぐる規範や特定の労働の担い手などに変化をもたらす過程を明らかにできた。
著者
宮川 雅巳
出版者
応用統計学会
雑誌
応用統計学 (ISSN:02850370)
巻号頁・発行日
vol.17, no.2, pp.69-79, 1989-01-30 (Released:2009-06-12)
参考文献数
12

推定量の偏り,分散,さらに一般的な誤差の尺度をノンパラメトリックに推定するために,ジャックナイフ法,ブートストラップ法など様々なリサンプリング方式が提案されている,本稿では,ジャックナイフ法に関連した直交配列表を用いたリサンプリング方式とその影響分析への応用について提案する.このリサンプリング方式の基になるのは,Hartigan(1969)のTypical Value Theoremであり,本方式で得られるリサンプルはtypical setを形成し,かつ釣合型となる.また,本方式による影響分析では,個々の観測値が注目する統計量に与える影響を,分散分析の加法モデルにより主効果と交互作用としてとらえる点に特徴がある.2つの数値例を通じてその実用性を検証する.
著者
宇野 公一郎
出版者
東京女子大学
雑誌
東京女子大学紀要論集 (ISSN:04934350)
巻号頁・発行日
vol.49, no.2, pp.137-198, 1999-03-10

Get article s'attache a donner du Mu'o'ng Dong (Vinh Dong, Kim Boi), l'un des plus grands mu'o'ngs (seigneuries) du groupe ethnique Mu'o'ng dans la province de Hoa Binh, une presentation ethno-historique portant sur la periode qui va du debut de la dynastie vietnamienne des Le (XVe siecle) jusqu' a la fin des Nguyen (XIXe siecle). En se fondant sur les chroniques/genealogies du Mu'o'ng Dong, du Mu'o'ng Co'i (Ke So'n, Lu'o'ng So'n), du Mu'o'ng Bo' (Ha Bi, Kim Boi) et du Mu'o'ng Rech (Nat So'n Thu'o'ng Giap, Kim Boi), l'auteur examine les alliances matrimoniales et politiques etablies entre les ≪sept mu'o'ng du Mu'o'ng Dong≫, montre l'existence d'un systeme englobant et hierarchisg ≪a emboitements≫ (G. Condominas) chez les Mu'o'ng comme chez les Thais, et developpe une critique des theses de l'ethnologue vietnamien Nguyen Tu' Chi a l'egard de l'evolution des systemes politiques mu'o'ng (Nguyen Tu' Chi 1988; Tran Tu' 1996b).
著者
松原 誠 小原 一成
出版者
東京大学地震研究所
雑誌
地震研究所彙報 (ISSN:00408972)
巻号頁・発行日
vol.84, no.4, pp.331-344, 2009

Many researchers have studied the three-dimensinal seismic velocity structure beneath the Kanto region, central Japan using seismic tomography, because the structure is very complicated due to subducting of the Pacific and the Philippine Sea plates beneath the Eurasian plate. The Tokyo metropolitan area is located in the Kanto region. Initially, the subducting Pacific and Philippine Sea plates are imaged with high-velocity zones. With many data, the oceanic crust at the uppermost part of the subducting Philippine Sea plate was imaged clearly. After construction of the NIED Hi-net, the oceanic ocrust of the Pacific plate subducting to depths over 100km was also imaged. A large low-velocity region at depths of 30-50km beneath the central Kanto region in the east-west direction was found by many researchers. The reason for the low-velocity is considered to be the existence of a serpentinied mantle wedge, curling Eurasian crust, and thick oceanic crust of the Philippine Sea plate. A low-velocity zone at depths of 40-70km beneath the eastern Kanto region with north-south direction was also found. The reason for this low-velocity is considered to be the existence of serpentinied mantle wedge and curling Philippine Sea plate. A high-density seismograph network, called MeSO-net, is under construction in this metropolitan region. The results with these data are expected to reveal a more detailed structure beneath the metropolitan area. We review former studies on the velocity structures beneath the Kanto region and note some characteristic structures beneath the Kanto region with results along arrays of MeSO-net.
著者
金光 真理子
出版者
The Society for Research in Asiatic Music (Toyo Ongaku Gakkai, TOG)
雑誌
東洋音楽研究 (ISSN:00393851)
巻号頁・発行日
vol.2004, no.69, pp.19-34,L2, 2004-08-20 (Released:2010-02-25)
参考文献数
6

Launeddas is a Sardinian triple-clarinet. There are now nine types of Launeddas, each in a different mode. The main repertoire of launeddas is dance music. Its improvisatory performance is based on the compositional principle iskala, a series of pikkiada groups (an individual pikkiada consists of periods of six or nine measure) whose selection and order is aesthetically determined. Each of the nine types of launeddas has its own iskala.The existing studies have failed to differentiate between the theory of iskala and its performance practice. Through the course of fieldwork I hoped to develop a theory that would support iskala performance practice. From my fieldwork I have discovered that that the concept of iskala varies between regions, generationsand players, I decided to concentrate on the repertory of Aurelio Porcu (1915-), one of the oldest of the current generations of performers. Porcu's tradition derives from the Sarrabus, central region of launeddas playing. His repertory was inherited from his masters, some of the greatest launeddas performers. Porcu devoted his life career to a professional launeddas performance. As heir to one of the central launeddas traditions, analysis and understanding of his performance and repertory is vital.Through analyzing the structural characteristics of iskala, this thesis attempts to clarify the aesthetic process underlying iskala performance.Analysis revealed the following three points, as follows. First, the pikkiada groups that form the iskala, is are arranged according to the dance. Although the selection of pikkiada varies according to iskala, two pikkiada groups emerged as common to all iskala performance; furias and pass'appuntau, both of which are related to dance steps. It can consequently be said that the structure of iskala performance mirrors the structure of the dance ‹opening→furias→pass'appuntau→end›.Second, in performance, there appear two characteristic features of the iskala. The first of these is what I refer to as “flexible framework”. This refers to the length of performance. As launeddas players decide on the spur of the moment how to develop pikkiada groups, they can control the length of performance, making it as long or short as necessary.Furthermore, according to Porcu there is an aesthetic principle that no pikkiada group shall be repeated, what I refer to as a “one way principle”. This is a somewhat contradictory principle for launeddas players urged to play long performance. The existence of the “one way principle” demonstrates that launeddas dance music, based on a concept of the iskala, is a well-ordered logical construction.Third, there appears to be an ideal “pikkiada matrix” for each of the pikkiada groups. When Porcu teaches iskala, he demonstrates various sequences of pikkiada in each group (Porcu calls each pikkiada group merely “sa pikkiada”, i. e the pikkiada). These are regarded as examples of typical pikkiada, in which there is no fixed or privileged pikkiada like theme, contrary to the explanation in the former studies. In the performance launeddas players can freely decide and play various versions of pikkiada in each group providing they follows the proper pattern at each stage of the hierarchy (motif, phrase, and whole pikkiada of each group). While this is not a concrete pattern that players are bound to adhere to, it appears that this has been extracted as a successful model of performance by experienced launeddas players. As a result, performing launeddas dance music can be interpreted as cr
著者
金光 真理子
出版者
舞踊学会
雑誌
舞踊學 (ISSN:09114017)
巻号頁・発行日
vol.2008, no.31, pp.10-21, 2008 (Released:2010-04-30)

In South-Sardinian public round dance, traditionally accompanied by launeddas or indigenous triple-clarinet, the dancers have emphasized an aesthetical value with the expression, “to dance according to the music.” This article argues how the dancers make out or recognize the music and choose their steps, clarifying the dynamic correlation between dance and music in the launeddas dance. As part of my fieldwork, an analysis was done of dance steps of Ierzu village, and revealed that the foregoing aesthetical judgment implies the following three points; metrical synchronization between dance and music, selection of steps appropriate to the pichiada, melody-type based on which various phrases will be improvised, and change of step with the transition of one pichiada to the following. The launeddas dance and the music have been inseparably developed in public dance circles. Their reciprocal structure characterizes the performance; the dancers choose steps following the music while the musician varies his performance seeing the dancers' condition or demands. The interaction between dancers and musician, sometimes conversational sometimes competitive, makes the performance dynamic and entertaining. It is this dynamism that makes the launeddas dance artistic.
著者
大賀 哲
出版者
東京大学
雑誌
社會科學研究 (ISSN:03873307)
巻号頁・発行日
vol.54, no.2, pp.127-152, 2003-03-31

本稿は日本外交とアイデンティティの関係をディスコース分析(Discourse Analysis)を基軸に分析し,外交上のアイデンティティが「アジア太平洋」から「東アジア」へと,どのように変容してきたのかを考察したものである.リアリズム・コンストラクティヴィズムといった国際政治学における既存のフレームワークは「利益」および「規範」といった分析変数を用いて外交分析を行うが,本稿はこうした既存のフレームワークからでは見えにくかったアイデンティティの問題をディスコース分析によって日本外交という枠組みの中で再検討しようという試みである.主に吉田茂・岸信介・福田赳夫・中曽根康弘・90年代の「開かれた地域主義」・アジア通貨危機以降のアジア地域主義といった外交言説に着目し,「アジア」が日本外交の中でどのように定義され,「アジア太平洋」という帰属意識がどのように「東アジア」へと変遷してきたのかを分析した.これは,外交をアイデンティティの構築作業として捉えることであり,ディスコース分析が既存の理論的フレームワークの欠点を補完する,若しくは代替的な枠組みとして一定の役割を担いうるのではないかと考えられる.
著者
駒田 富佐夫 中山 優子 木下 淳
出版者
一般社団法人日本医薬品情報学会
雑誌
医薬品情報学 (ISSN:13451464)
巻号頁・発行日
vol.14, no.1, pp.26-34, 2012-05-31 (Released:2012-08-02)
参考文献数
18

Objective: We analyzed articles in the Japanese Journal of Drug Informatics with the goal of identifying recent research trends in drug informatics.Method: The appearance frequencies of keywords in the Japanese Journal of Drug Informatics (2001: vol. 3 (1) to 2009: vol. 11 (4)) and Japanese Journal of Pharmaceutical Health Care and Sciences (2009: vol. 35 (1) to (6)), and words in abstracts in Japanese Journal of Drug Informatics (2009: vol. 11 (1) to 2010: vol. 12 (4)) were analyzed. Results: To investigate keywords in the Japanese Journal of Drug Informatics, appearance frequencies of information, drug, drugs and pharmacist in 2001: vol. 3 (1) to 2003: vol. 5 (4), those of information, drug, drugs, medical, medication and questionnaire in 2004: vol. 6 (1) to 2006: vol. 8 (4), and those of information, drug, questionnaire, survey, pharmacist, adverse and generic in 2007: vol. 9 (1) to 2009: vol. 11 (4) were higher than those of other keywords.  In the Japanese Journal of Pharmaceutical Health Care and Sciences, appearance frequencies of drug, pharmacy, care, patient, pharmaceutical, cancer, education, training, analysis and drugs were higher than those of other keywords.  Information, drug(s), patients, pharmacists, hospital, use, questionnaire, medical, adverse, survey, agents, generic and pharmaceutical were high frequency words used in abstracts published in the Japanese Journal of Drug Informatics.  These words in abstracts indicate a Zipf’s law-like rank distribution.  Co-occurrence network graphs using abstracts showed that the first cluster consisted of medical, drug, adverse, drugs, pharmaceutical, hospital, doctors, contents and drug around information and pharmacists as hubs, and the second cluster consisted of 3 words (agents, woman and pregnant).  Furthermore, co-occurrence network graphs indicated that care, medical, pharmaceutical, information, adverse, pharmacists, hospital, doctors, questionnaire, woman, pregnant, package and side were matters of important arguments and/or phenomena.Conclusion: These data suggest that the scope of themes in articles published in the Japanese Journal of Drug Informatics is establishing definitive categories.  The recent themes and contents of the Japanese Journal of Drug Informatics were closely and mutually related.
著者
舘 知宏
雑誌
情報処理
巻号頁・発行日
vol.54, no.2, pp.114-120, 2013-01-15

折紙は紙を折ることでさまざまな形を作る伝統的な遊び・創作活動ですが,近年ではORIGAMIとして国際的に広まっています.本稿では,折紙のファブリケーションへの応用について,その可能性とデザインの基礎となるコンピュテーショナルな手法について概観します.折紙の「かたち」の応用として,一枚のシート材からの成形とそれを可能とする可展面の幾何学,曲線折り,デザインのためのアルゴリズムを紹介します.折紙の「うごき」の応用として,立体形状の折り畳みと変形機構に関連した,平坦折り可能性,剛体折り紙という折紙の数理モデルを紹介します.最後に関連するソフトウェア・ツールを紹介します.
著者
宗澤 良臣 大崎 紘一 梶原 康博 巽 雅彦
出版者
社団法人日本経営工学会
雑誌
日本経営工学会論文誌 (ISSN:13422618)
巻号頁・発行日
vol.54, no.1, pp.36-45, 2003-04-15

本研究では, 廃家電品の回収方法として, 家庭において分解, 分別を行い部品, ユニット毎に排出する分散分解を提案する.分散分解により, 集積場所には鉄, 銅, アルミニウムを多く含むグループに分別された部品等が集積されるため, 以降のリサイクルセンタで行われる分解, 分別の作業量の低減が可能となる.このことを説明するために, 廃家電品の排出以降の流れについて, 現在の回収方法と分散分解についてモデル化を行う.さらに, 家庭における分解, 分別を効率的に行うため, 部品に分解グループ, 分解箇所の表示を行うなどする分解ガイドラインを提案する.適用例では, 岡山市が平成13年4月から10月に戸別回収により回収した廃棄物一覧を基に従来の回収方法と分散分解を行った場合の作業量の比較を行った.その結果, 我々の試算では, 従来の回収ではリサイクルセンタにおいて9,238作業発生するのに対して, 提案法では廃家電品を排出する298家庭が30作業を分担すればリサイクルセンタでの分解, 分別はなくなった.また, 分解ガイドラインの情報の違いによる作業量の変化, 分別の誤りを実験により調べた.
著者
Rumiko SUGIMURA Masatake SUDA Ayumi SHO Tomoya TAKAHASHI Tokutake SASHIMA Masayuki ABE Masashi HOSOKAWA Kazuo MIYASHITA
出版者
社団法人 日本食品科学工学会
雑誌
Food Science and Technology Research (ISSN:13446606)
巻号頁・発行日
vol.18, no.5, pp.687-693, 2012 (Released:2012-12-08)
参考文献数
20
被引用文献数
19

Stability of fucoxanthin was assessed in dried Undaria pinnatifida (wakame). After 210 days storage of dried wakame in the dark at 50°C, the stability of fucoxanthin was higher than that of purified fucoxanthin incubated at both 20°C and 40°C. Furthermore, we analyzed the stability of fucoxanthin in scones containing 0.5 − 2 wt% commercial dried wakame powder. More than 85% of the fucoxanthin remained unchanged in the scones after heating the dough at 190°C for 30 min. Sensory analysis indicated that although the addition of wakame powder darkened the appearance and strengthened both the taste and smell of the scones, they remained acceptable. Furthermore, overall sensory scores showed that scones containing 0.5 wt% and 2 wt% wakame powder were more favorable than control scones.